PSAA Projects
Portland Street Art Alliance
CULTIVATE, NARRATE, CRAFT
CULTIVATE, NARRATE, CRAFT

GRAFFLAB

Empowering Teens Through Street Art Education

THE ELECTRIC BLOCKS, Portland, Oregon

Muralist Devin Finley providing spray painting instruction to teens.

GraffLab is PSAA’s new street art workshop for co-ed youth aged 13-17. This program continues PSAA’s mission to empower teens through creative expression in public space, nurturing personal growth, community connections, and artistic leadership. The workshop builds on the success of PSAA’s previous youth programs - Street ED (2021) and YAE! Camp (2018-2019) - and represents a key step toward developing a scalable, community-rooted youth street art education model. 

On Monday, August 11th, 2025, PSAA officially kicked off our inaugural GraffLab street art workshop with fifteen talented teens! The day started with PSAA co-founders Tiffany Conklin and Tomas Valladares leading the group through a tour of the Electric Blocks, where students learned about the history of graffiti and street art. Portland street art legends RX Skulls and Voxx Romana shared insights into how to creatively “get up.” Past YAE! Camp participant Saphya Razaqi Lones also inspired the group talking about her journey as a young artist and design student at Portland State University.

Morning warm up tour of the Electric Blocks, led by PSAA co-founders.

Stickers by RX Skulls, Voxx Romana, and Wokeface.

After fueling up on Baby Doll Pizza, the real magic began! Under the expert guidance of Lead Artist and Master Style Writer Devin Finley and PSAA Board Member Galen Malcolm, the teens learned spray techniques, cap selection, and proper form. Starting with a blank wall, they practiced their skills before collaborating on an incredible GraffLab group mural that showcased their newly learned talents.

Local muralist Damon Smith also came to hang out with the teens! He created a pop-up workspace using a ladder as an easel and spent the afternoon honing his spray can skills while showing the teens new techniques and creative possibilities they could achieve with spray paint.

Accessibility is at the heart of GraffLab's mission. Over half of our inaugural participants received full scholarships to attend at no cost, while others paid a modest fee designed to keep the program within reach for all families. This approach reflects PSAA's deep commitment to ensuring that financial barriers never prevent talented young artists from accessing quality arts education. As we expand the program, maintaining and increasing scholarship opportunities remains a core priority, ensuring that GraffLab continues to serve teens from all economic backgrounds throughout the Portland Metro region.

FEEDBACK FROM THE TEENS

We were truly inspired by these young artists! It was thrilling to watch them freely express themselves with spray paint. The impact speaks for itself - 87% of participants rated their experience as “Excellent” and an incredible 93% gained confidence in their street art skills. What moved us most? Nearly all participants (93%) said the workshop inspired them to continue exploring street art, and 100% would recommend GraffLab to other teens! Most of our teen participants (93%) came in as complete beginners with little to no street art experience, yet by day’s end, 60% felt “much more confident” in their abilities. The hands-on spray painting techniques were the clear favorite activity, followed by creating the collaborative group mural together.

Overwhelming Parent Support Confirms GraffLab Success

Following the inaugural GraffLab workshop, parent and guardian feedback has been unanimously positive, with 100% rating their teen's experience as "Excellent" and all expressing definitive support for future PSAA programming. The survey results reveal that parents were initially drawn to GraffLab for its unique combination of professional art instruction, safe creative environment, and affordable access to street art education. Remarkably, 86% of teens left the workshop "very excited" to continue exploring street art, with parents noting their children's sustained enthusiasm days after the program ended.

The feedback highlights GraffLab's success in delivering exactly what parents hoped for: comprehensive art skill development, meaningful creative expression opportunities, and positive community connections for their teens. Parents particularly valued the multi-faceted approach that included guest speakers, street art history education, and collaborative mural creation. The program's impact extends beyond the single day, with multiple parents requesting expanded programming options, including multi-day workshops and deeper mentorship opportunities with professional muralists.

The overwhelming parent support, with 100% rating youth arts programming like GraffLab as "Very Important" to the region, reinforces PSAA's mission and provides a strong foundation for expanding the program in future years.

Notable Parent Testimonials

"Such a great experience for my kid! They had an amazing time and enjoyed all parts of it (guest speakers, history, collaboration, etc.). I loved seeing what the group created at the end of the day."

"Make it multiple days, one day was just not enough. My kid has been going on and on nonstop about the event and now he's wanting to get more supplies and stickers."

"I am so thrilled with the experience my teen had, and I would definitely sign him up for other opportunities through PSAA if the opportunity presents itself. This was an awesome program and adventure."

"This is a great opportunity for our community teens. Keep up the great work!"

EXPANDING GRAFFLAB

The enthusiastic feedback from both teens and parents is driving our vision for GraffLab's future. With 86% of participants "very excited" to continue and parents specifically requesting "multiple days" and "longer commitment" programs, the demand for expanded programming is clear.

Building on this momentum, PSAA is developing GraffLab into a comprehensive week-long immersive experience that will include extended mentorship opportunities, deeper exploration of mural creation processes, and expanded wall space for individual practice.

To make this expanded vision a reality, PSAA is actively pursuing additional grant funding and community partnerships. We're seeking sponsors who share our commitment to youth empowerment through creative expression and believe in the transformative power of accessible arts education.

GraffLab Assisting Artist, Galen Malcolm demonstrating can techniques to the teens.

The passion and artistic drive of these young creators left us amazed and excited about the future of street art in the PacNW. Their collaborative mural stands as proof that the next generation of artists is ready to make their mark.

PSAA strongly believes in mentoring the next generation of artists and aims to provide support and opportunities as these teens continue their art careers. This pilot program continues PSAA’s mission to empower teens through creative expression in public space, nurturing personal growth, community connections, and artistic leadership.

GraffLab attendees practicing their rattle can skills.

Thank you to everyone who made this workshop possible and to the amazing teens who continue to inspire us! We are excited about what the future holds and are looking to continue to expand GraffLab programming to inspire and teach future generations.

Massive thanks to our teaching artists and our incredible funding partners: Miller Foundation, and Killian Pacific. Appreciation to sponsors: Baby Doll Pizza, Artist & Craftsman Supply, Montana Cans, and Fred Meyer, for providing support that made this possible.

ADDITIONAL PHOTOS

SPONSORS

TOGETHER WE ARE STRONGER

THE GATEWAY

ASTORIA, OREGON

The Gateway, by Casey McEneny for CareOregon.

PSAA, CareOregon, and the Astoria Armory are pleased to announce the creation of an expansive, nearly 4,000 sq. ft. mural in downtown Astoria, Oregon. The mural, titled ‘The Gateway,’ celebrates Astoria, its history, people, and culture. The mural was commissioned by Portland Street Art Alliance (PSAA) for CareOregon and was designed and painted by regional artist Casey McEneny.

FRESH PAINT AND A NEW BEGINNING 

When the Astoria Armory re-opened as a community center, part of that dream was to help elevate the space with the inclusion of a mural that would draw attention to the building's facade, but cost and logistics were a huge hurdle. Years later, CareOregon and Columbia Pacific CCO were looking to celebrate the North Coast and their dedication to keeping the community healthy. A connection was made, and the dream of a mural on the Astoria Armory sprang to life!

"When Robert 'Jake' Jacob, Robyn Koustic, and I reopened the Astoria Armory to the public in 2014, most of Astoria had forgotten that the building existed. As large as it was, the monochromatic building simply faded into the background. The idea of a colorful mural on the expansive north wall to bring attention to the Armory was central to our efforts to have a community space that was open and accessible to all. I commend the efforts of those involved in moving this beautiful mural forward, and appreciate the contribution of this mural in making people aware that the Astoria Armory is again an integral part of our community." - Sean Fitzpatrick, Mayor of Astoria

With the help of PSAA, the team was able to find a regional artist to capture all the details that make the Oregon Coast special and capture the essence of Astoria. Casey McEneny is an artist, muralist, and high school teacher originally from Seal Rock, OR, and now resides in South Beach. Casey grew up in an artistic family and has a deep love for the Oregon Coast, making him a fitting artist to help visually tell Astoria's story.

A SENSE OF PLACE

CareOregon wanted to help create a mural for and reflective of Astoria. Casey worked with a large team to develop the concept and delivered a stunning design that captures the people, landmarks, and cultural touchstones that make Astoria such a unique and special place.

Astoria is the oldest settlement west of the Rockies, a picturesque port city with Victorian-era homes etched into hills overlooking the Columbia River. The city's character emerges from its unique position, ‘where river meets ocean,’ blending centuries of maritime heritage with a thriving downtown district. From the iconic Astoria Column to the historic waterfront, Astoria seamlessly weaves together its storied past with modern cultural attractions.

Casey's mural perfectly captures this essence: a tight-knit community that honors its maritime roots while welcoming the future, just as Astoria itself has done for over two centuries. Its title, The Gateway, is a reference to the mural’s prominent location in Astoria, where the mural serves as a visual gateway to the city, whether you arrive by car, foot, or boat.

The artist’s vision

“Home and community are the core themes of this mural,” explains Casey McEneny. “At the center of the design is a Chinook Salmon, seemingly leaping forth from the wall. Salmon spend their entire lives migrating from their birthplace to the sea, and then valiantly fighting their way upstream to return home. Many people make similar journeys, leaving to find their place in the world. Often, we come to realize the special place home occupies in our hearts and minds.”

Casey sees himself as one of those salmon. After attending college at Laguna College of Art and Design, McEneny realized how much he loved the Oregon Coast and returned home to create a new life for himself. He even has a salmon tattoo as a reminder of who he is and where he comes from.

The mural weaves together symbols of Astoria's rich heritage and natural beauty. On the far left, an artistic depiction of the historic Astoria Column overlooks the composition, just as it has watched over the city for nearly 100 years. Adjacent to the Column, a ship's wheel pays homage to Astoria's deep maritime culture. Beneath the migrating salmon, the iconic Astoria-Megler Bridge spans the scene as a symbol of movement and connection.

“To the right of the salmon, we incorporated patterns representative of the indigenous tribes whose people have occupied this area for thousands of years,” McEneny notes. “On the far right, wild roses symbolize indigenous culture, good health, and vitality. Wild roses have been used medicinally by indigenous tribes in tinctures, teas, and jellies for generations.”

The mural's vibrant color palette draws inspiration directly from the Oregon Coast. Various shades of blue contrast beautifully with orange, red, and yellow sunset hues that reflect the dramatic coastal light. Casey designed certain elements to "break the plane," creating a three-dimensional effect where parts of the mural appear to leap from the wall.

“Together, these images tell a story of Astoria's past and present, and why so many people, whether they're residents or visitors, feel welcome here,” McEneny reflects. “This mural is ultimately about celebrating the journeys that bring us home.”

"Everybody in Astoria has been great, and the town is amazing! There's so much history here and around this area to learn and explore. I’ve really enjoyed getting the chance to be here for a month. I've gotten immersed in the culture and met a bunch of people. That’s one of the coolest aspects of doing murals, people just wander upon you and see what you're doing, and want to know more."  – Casey McEneny, Muralist

PARTNER QUOTES

“Columbia Pacific CCO and CareOregon are proud to support PSAA's new Astoria Armory mural, ‘The Gateway.’ As part of our commitment to strengthening community health, we look for ways to partner with local organizations that provide unique resources for Oregonians, as PSAA does for street artists, and to promote Oregon artists such as Casey McEneny, who grew up and lives on the north coast, the mural's designer.” – Mimi Haley, Executive Director, Columbia Pacific CCO

“Our community is delighted to have been selected to receive this beautiful, vibrant mural.  Every day, folks come by, some with lawn chairs and picnics to watch the daily progress! The mural is the gateway to the Coast and will bring joy, beauty, and connection for years to come!"  – Susan Hobson, President, Friends of the Astoria Armory

“At PSAA, we believe that murals are more than just art on walls; they are stories of place, people, and purpose. Casey McEneny’s mural at the Astoria Armory beautifully reflects these values. Through vibrant color, local symbolism, and cultural references, this mural honors the unique spirit of Astoria; its indigenous roots, working-class history, and enduring sense of home. We are proud to support a project that not only brings a historic building back into the public’s imagination but also uplifts the voices of local artists and strengthens connections within the community.” – Tiffany Conklin, Founding Executive Director, PSAA

Mural Unveiling

On Thursday, July 24, 2025, Astoria’s largest mural to date was unveiled to the delight of a large gathering of community members at the Astoria Armory in Downtown. Titled “The Gateway,” this mural was painted in partnership with PSAA and Oregon Coast artist and educator, Casey McEneny. At nearly 4,000 square feet, the mural captures the essence of Astoria, with the unifying message “Together we are stronger.”

PRESS

ALBINA ART

ALBINA LIBRARY MURALS

POrtland, Oregon

Mural in the new Teen Room by Nicky Kriara.

PSAA is thrilled to continue our partnership with Multnomah County Library with four stunning murals for the newly renovated Albina Library! The original historic Carnegie building has been transformed with an additional 22,000 SF, making it Oregon's largest library built in over 100 years!

NICKY KRIARA

The new teen room features an expansive digital mural by Nicky Kriara inspired by the rich history of jazz in Portland’s Albina neighborhood.

To help inform the design, a development workshop was held at Harriet Tubman Middle School. Students explored sound and storytelling by designing their own album cover art. Their ideas helped shape Kriara’s final design, which reflects the spirit of improvisation and collaboration found in jazz, blended with the students’ vision for a space that feels calm, safe, inviting - and “full of good vibes.”

JESSILYN BRINKERHOFF

The bold, joyful mural, Albina Blooms, welcomes visitors in the Russel Street lobby. Painted by Jessilyn Brinkerhoff, the work celebrates the cultural renewal and community heritage of Portland’s historic Albina neighborhood. Ablina Blooms is inspired by the rhythms of Jumptown and the shared green spaces of Dawson Park.

The piece features vibrant colors, native species, and the enduring presence of pine, dogwood, poplar, chestnut, and sweetgum trees—sentinels of the community that have witnessed generations. Honoring the past while looking toward a thriving future, the mural invites viewers into a dynamic space of music, memory, and springlike renewal.

CHRISTIAN TELLEZ

The Carnegie Room kids' area contains two PSAA murals. The first is titled Our Roots and Dreams, and was painted by Christian Tellez. The artwork reflects Albina’s rich legacy of cultural expression, artistic innovation, and enduring commitment to learning, growth, and collective empowerment through an abstract and geometric lens.

Julia Alexis Hunkler

The second mural in the kids’ library area is Shaped, by Julia Alexis Hunkler. This piece delves into themes of imagination, wonder, and the shaping of future creators. Drawing inspiration from the symbolism of origami, Shaped celebrates the transformation of young minds, inviting viewers to reflect on the endless possibilities that unfold through discovery, play, and learning.

TEEN WORKSHOP

Artist Nicky Kriara Kirara kicked off the creative process for her mural by collaborating with students from Harriet Tubman Leadership Academy, leading a hands-on workshop rooted in Albina’s rich jazz history.

Students explored classic jazz albums and then created their own original album cover designs using pre-made record sleeves. The result? A burst of creativity that’s helping shape a unique mural for the library’s cozy teen hangout space.

A big thank you to the students and staff at Harriet Tubman Middle School!

DISCOVERY AWAITS

DISCOVER THE CENTRAL EASTSIDE

EASTBANK COMMERCE CENTER
POrtland, Oregon

Illustrator and muralist Alicia Schultz diligently built a delightful design that invites people to “Discover the Central Eastside.” This new landmark mural, titled Discover the Central Eastside: Built to Last, was commissioned and funded by the Central Eastside Industrial Council and Central Eastside Together, with support from Venture Portland.

“We are incredibly proud to commission this 2,000 square-foot mural that invites everyone to explore the Central Eastside. We want visitors to know when they’ve arrived in the District, and we want them to feel inspired by what’s happening here. This artwork reflects both where we’ve been and where we’re going. The cargo boxes nod to the Central Eastside’s legacy as an industrial hub, while the hand, acting as a crane, represents the makers, creators, and innovators who are shaping the district’s future.” – Carolyne Holcomb, Executive Director, Central Eastside Industrial Council

“Discover the Central Eastside: Built to Last” honors the past while lifting it into view, inviting reflection on what we carry forward. It’s a story of a place made not just of steel and structure, but of people, persistence, and community. Working on this project and painting this mural has allowed me to connect with Portland’s Central Eastside Industrial District – a neighborhood layered with history, industry, and resilience. Learning some of the stories behind this neighborhood was inspiring – you can feel how the past still shapes the neighborhood today. Creating artwork on a wall that faces downtown and the constant movement of the highway made me feel in the middle of it all, connected to the pulse of the city. I feel gratitude for being a part of this project and creating the mural that shares this story of the Central Eastside.” – Alicia Schultz, Muralist

Visible from I-5, Alicia’s captivating and colorful design draws attention to the Central Eastside and its transformation to a cultural hub. As a highly visible participant in the Central Eastside Mural District, PSAA is thrilled to help contribute to this iconic new mural in the heart of the well-loved central district.

“This piece is more than just a striking visual landmark; it’s a tribute to the district’s rich legacy and dynamic evolution. We’re proud to have worked closely with artist Alicia Schultz, the Central Eastside Industrial Council, Central Eastside Together, Beam Development, and Cargo to shape a design that honors that complexity. A special thank you to Venture Portland, which was also a major funder of this project. Part of the charm of this mural is its ability to invite people to slow down, explore what’s inside, and discover (or rediscover!) one of Portland’s most iconic neighborhoods. PSAA would also like to thank Carl Abbott for information about the history of Portland’s Central Eastside.” – Tiffany Conklin, Founding Executive Director, Portland Street Art Alliance

Partnering with Portland Street Art Alliance to commission 12 murals in the past year has been a joyful and collaborative effort to bring more beauty and meaning to our streets. We’re especially grateful to Venture Portland for helping to make this project possible.”  – Carolyne Holcomb, Executive Director, Central Eastside Industrial Council

“The Central Eastside Industrial Council has been integral in transforming their business district into a wonderful place to shop, dine, and play with mural projects like this. Venture Portland is proud to support their efforts through our grants program and encourage Portlanders to Venture Out and discover the wonderful small businesses that call the Central Eastside home.” – Venture Portland 

Next time you are driving down I-5, get off at the Central Eastside exit to explore the district and see this mural in person on the backside of the Eastbank Commerce Center. 

PRESS

ADDITIONAL PHOTOS

SPONSORS

TEACHABLE MOMENTS

MURAL WORKSHOP

CENTRAL EASTSIDE MURAL DISTRICT
PORTLAND, OREGON

Titled, So Far and So Close (Nature from Here and There), this amazing mural was painted as part of a mural workshop where artists learned the craft of mural-making from the talented Oliver Casillas.

Casillas’ artistic practice explores identity, memory, and community through the lens of Mexican culture and social engagement. As a Mexican-American artist, Casillas uses public art, murals, and immersive exhibitions to celebrate cultural heritage while addressing issues such as migration, inclusion, and belonging. 

The mural’s design is inspired by Central Oregon’s stunning scenery, highlighting various elements that truly represent the essence of Oregon. Notably, the team included the Osprey, which is currently in contention to become the state bird instead of the current state bird, the Meadowlark. Additionally, Oliver and his team integrated the skull of a ram, symbolizing the themes of life and death. The color palette features vibrant and contrasting hues and the green “life” of the city, along with warm tones that aim to bring a sense of warmth and vibrancy to the streets of Portland, Oregon.

“I believe art has the power to build bridges, create dialogue, and transform public spaces into places of connection and reflection. Guided by narrative, my work is shaped by collaboration, research, and lived experience. Art, for me, is a collective act, a space to amplify voices, honor tradition, and imagine new futures. My goal is to create work that resonates deeply with people and fosters pride, awareness, and unity” – Oliver Casillas, Muralist

The workshop and mural creation were done with the assistance of Portland Street Art Alliance, with support from The Program, and Rodda-Miller Paint. During this 4-weekend workshop, attendees learned the sketching process, techniques in washes & color blocking, and finally, hands-on mural installation using latex and spray paint. During the closing weekend, PSAA’s Executive Director and co-founder, Tiffany Conklin, shared insights about Portland's vibrant mural scene, our past struggles, and future dreams with the group.

“Working with PSAA throughout the mural process was a true pleasure. From initial introductions and conversations with the talented muralist, Oliver Casillas, to securing the permit and setting up the project for success, PSAA made the experience seamless. We couldn't be happier with the partnership and the final mural, which features vibrant and contrasting hues along with warm tones that aim to bring a sense of warmth and vibrancy to the city." – Ethan Smith-Gillespie, Partner, CEO at The Program

ADDITIONAL PHOTOS

BEAVERTON BIRD CALL

BIRD CALL

BEAVERTON, OREGON

Over the course of four weeks, this spring Portland-based artist David created a stunning new mural on the parking structure at the new Modera Beaverton Apartments in downtown Beaverton. 

Work in Progress

The new mural, titled Bird Call, depicts two birds, a Scrub Jay and a Meadowlark, communicating to one another through a layered environment of shapes. Each bird is prominently featured on large sections of the garage, calling back and forth to one another. Connecting the two combines organic and geometric subjects, including yellow daisies and a sprig of magnolia blossoms, creating a balance between the natural world and the digital age we live in.

“The goal of this mural is to connect the people of Beaverton through a fun and interesting visual language. I hope that it becomes a cornerstone of the community, adding to the identity of Beaverton and inspiring creativity.” – David Rice, Muralist 

Meadowlark

Scrubjay

Bird Call was commissioned by the Mill Creek Residential Trust for its stylish new apartment complex located in central Beaverton. The building is decorated inside in out with art - a nod to Beaverton’s nearby Reser Center for the Performing Arts 

“Downtown Beaverton continues to establish itself as a dynamic hub for creativity, community, and cultural expression. With a flourishing arts scene that includes public murals, innovative galleries, live performances at the Reser Center, and year-round cultural events, the district is quickly becoming a standout destination for artists and art lovers alike. Mill Creek is proud to be a part of the community, and we felt like it was important to give something back and contribute to the vibrancy and character of the city.” – Chad Encinas,  Vice President of Development, Mill Creek Residential Trust

This 1,580+ square foot mural is by far the largest in Beaverton and is destined to be a prominent city landmark for years to come. This beautiful piece of public art aims to inspire communities and businesses in suburbs and small towns across the Pacific Northwest to invest in public art. 

“PSAA is thrilled to bring this stunning new duo mural by David Rice to downtown Beaverton as part of the city’s growing public art landscape. As PSAA’s first large-scale mural commission in Beaverton, and in partnership with a valued repeat client, this project marks an exciting step in expanding access to vibrant, community-centered art beyond Portland and across the metro area and region. Thank you to David Rice, Chad & Tim at Mill Creek, and Ryan & Jessica at Star Rentals for helping us with all of the logistics for painting at this complex construction site. We also greatly appreciate all the guidance and support we received from Debi Thompson, the Arts Program Coordinator at the City of Beaverton.” – Tiffany Conklin, Executive Director, Portland Street Art Alliance

Bring the flock out for some birdwatching in Beaverton and see this breathtaking mural in person! 

ADDITIONAL PHOTOS

COLUMNS OF CREATIVITY

VIADUCT ARTS COLUMNS

Arts Organizations Team Up to Paint More Column Murals Under the Hawthorne Bridge Viaduct


PORTLAND, OREGON

Kyra Watkin’s Viaduct Arts Columns under the Hawthorne Bridge.

Since 2022, PSAA has teamed up with local organizations and businesses to transform SE Madison Street (under the Hawthorne Bridge Viaduct) into an Avenue of Murals, transforming a once dark and dreary area into a vibrant public art corridor celebrating the past, present, and future of Portland’s Central Eastside. Over 20 column murals now brighten this once-overlooked space!

Paola De La Cruz’ Viaduct Arts Columns under the Hawthorne Bridge.

For phase III of this initiative, seven new murals were created in partnership with the Regional Arts & Culture Council (RACC) as part of their public art program. With PSAA’s consultation, RACC selected two local Portland-based artists, Paola De La Cruz and Kyra Watkins, for the job. The mural’s content was shaped by ideas gathered through a community and business survey conducted by the Central Eastside Industrial Council. Local businesses and property owners were invited to share concepts reflecting the neighborhood’s past and present, helping to guide the mural’s development.

Paola De La Cruz

Kyra Watkins

 "The Regional Arts & Culture Council is excited to continue building its relationship with Portland Street Art Alliance by partnering on the painting of the murals underneath the Hawthorne Bridge. Bringing artists to these bridge columns has been a goal years in the making. This project symbolizes our commitment to creating new art experiences that invest in the health of our neighborhoods and provide the public the opportunity to engage with art in surprising and unexpected places.” – Salvador Mayoral IV, Deputy Director of Public Art, Regional Arts & Culture Council

MURALS BY PAOLA DE LA CRUZ

Paola De La Cruz, originally from the Dominican Republic and now based in Portland, is known for her work in public art, illustration, and exhibitions. Her vibrant illustrated style often depicts gatherings of people with special attention to detail, with a storytelling narrative. Her notable recent projects include a PSAA-commissioned indoor mural at the Virginia Garcia Memorial Health Center in Hillsboro, Oregon, and a beautifully illustrated tribute to Rosa Parks on a bus wrap for Tri-Met. 

“This project pushed me to think creatively about working on a four-sided mural. I enjoyed exploring movement and designing pieces that encouraged viewers to interact with the artwork from different angles. A huge thank you to my painting assistant, Ashley Cruz Nieves, whose support was invaluable throughout this unique process.” – Paola De La Cruz, Muralist

MURALS by kyra watkins

Next up are four bold new column murals by Kyra Watkins. Each pillar celebrates a different industry that shapes Portland’s Central Eastside. Kyra’s designs highlight the worlds of sports, the produce trade, the fishing and shipping industries, and accessibility initiatives around our local rivers.

A Cincinnati native and now Portland-based artist, Kyra brings her expertise in portraiture and large-scale public murals to the project. Her notable recent projects include a gallery show and artwork for TEDx Portland 2025, and a PSAA-led mural with the non-profit, Project Color Corps for Self-Enchancement, Inc.

“Being able to honor the spirit of the Central Eastside by painting four new columns in this viaduct series is an opportunity I am so grateful for. The Central Eastside is home to my artist’s studio, and I find myself inspired by this neighborhood in so many ways. The amount of industry, artistry, and entrepreneurship that happens here is infectious. I hoped to capture that essence within the theme of each column.” – Kyra Watkins, Muralist


These bold, colorful murals are part of a larger effort to transform the often-overlooked spaces under the bridge into a dynamic public art corridor that reflects Portland’s cultural and industrial heartbeat. Come take a walk and experience this outdoor art gallery for yourself!




"PSAA’s Viaduct Arts and Central Eastside Mural District Initiatives are ongoing efforts to revitalize this area, particularly the underpasses of Portland’s Central Eastside, by transforming once-overlooked spaces into vibrant canvases for public art. Through color and creative expression, these initiatives celebrate local artistic talent and foster deeper connections within the community. We are especially grateful to Kyra and Paola for their vision and dedication in bringing this phase of the project to life. Creating murals on these column sites is no small feat! The physical and logistical challenges are considerable, and we greatly appreciate all of the artists who have taken them on with care and creativity to help shape this world-class mural district in the heart of our beloved city."  – Tiffany Conklin, Executive Director, Portland Street Art Alliance

IN THE MEDIA

MOTHER EARTH

TERRA MAE RESTAURANT

PORTLAND, OREGON

PSAA is thrilled to share the incredible centerpiece created by the talented Blaine Fontana for one of Portland’s most talked-about new restaurants: Terra Mae. Nestled within the luxurious Cascada Hotel & Spa, Terra Mae offers an unforgettable blend of Portuguese tradition and Japanese refinement, making it a true gem in the city’s renowned culinary landscape.

Work in Progress

Artist Blaine Fontana after install

Blaine collaborated with PSAA, Chef Megan Sky, and Colby Hayden (Director of Food & Beverage) to create a breathtaking 5’ x 18’ acrylic painting titled Minha Mãe, Sua Mãe (My Mother, Your Mother). This awe-inspiring piece spans nearly the entire east wall of the restaurant, setting a tone of beauty and connection that perfectly complements Terra Mae’s unique dining experience.

The painting features Mother Earth, depicted with outstretched hands and deep-set, serene eyes that seem to hold endless wisdom. Dancing waves, flourishing flowers, and vibrant tropical plants surround her, with lush green mountains providing a striking backdrop. The 3D effect and intricate details give the work a sense of life and depth, captivating all who see it.

“This was a transformational journey. With the passionate and collaborative effort of our village, we made something deeply impactful.” – Blaine Fontana

Limited edition PRINT RELEASE BY BLAINE FONTANA

Due to the popularity of this beautiful piece of art, artist Blaine Fontana has created a limited edition print for purchase! Only 100 of these giclee prints will be made. The print is 38” x 12” and signed, dated, and numbered by the artist. For more information or to purchase please see the link below. All proceeds go directly to the artist.

‘MOTHER EARTH’ PRINT by Blaine Fontana

ADDITIONAL PHOTOS

STREETS OF HOPE

STREETS OF HOPE

CENTRAL EASTSIDE, PORTLAND

 Art has the power to amplify voices and bring untold stories to light. Portland Street Art Alliance (PSAA) is proud to unveil Streets of Hope, a powerful mural that shares the experiences of Portland’s houseless community through their own lens, exploring the theme of ‘we take care of each other.’

Prominently displayed on two large walls at SE 8th and Yamhill in the Central Eastside, Streets of Hope celebrates the resilience, creativity, and grassroots support systems within Portland’s unhoused population. Created by local muralist and comic book illustrator Damon Smyth, the piece combines striking visuals with a deeply collaborative and community-focused approach.

Through soft, glowing imagery, the mural portrays messages of hope, illustrating how the houseless community fosters care and mutual aid. It also captures moments of joy and togetherness, reflecting the humanity and strength of a community often overlooked.

A community-Driven initiative

This project is part of PSAA’s ongoing initiative to collaborate with houseless service organizations and people experiencing housing insecurity, ensuring their stories are centered in the public art-making process. PSAA has worked on similar projects since 2022, including the Housekeys Not Handcuffs and Leroy Memorial murals. These projects aim to highlight and uplift the voices of Portland’s houseless community while dispelling stigma and fostering more compassion and understanding for those struggling.

Spanning over 2,500 square feet, Streets of Hope transforms once-drab walls into a beacon of resilience and solidarity. Its imagery highlights moments of joy, self-expression, and the grassroots systems of care created within the houseless community.

““Everyone has value. Our project partners collaborated to come up with each element of the design. When it was time to start applying paint, everyone arrived eager and excited to beautify their community. The care and dedication they put into this mural truly inspires me, and I am grateful to have had the honor of working with all of them.””
— Damon Smyth, Muralist

Streets of Hope was supported by grants from the Fred W. Fields Fund of Oregon Community Foundation, Prosper Portland, and the Oregon Arts Commission. The mural took nearly three years to come to fruition. Property owners WYSE Real Estate provided site access and logistical support to make the mural happen. Miller Paint also provided PSAA and the artist a discount on base coat paint products. 

collaborating with community

To ensure authenticity and a community-driven process, PSAA partnered with local nonprofits: p:ear, Ground Score Association, Street Books, Street Roots, and Sisters of the Road.

  • P:ear, a youth mentorship organization that builds positive relationships with youth experiencing homelessness, ages 15 to 25, through education, art, recreation and job training.

  • Street Books, a bicycle-powered library that provides access to books for the houseless community across 13 locations in Portland. 

  • Street Roots, a weekly social justice newspaper that is sold by over 250 vendors that are experiencing housing insecurity and poverty. 

  • Sisters of the Road, a social justice organization with a 45-year history, providing low- or no-cost meals, education and training programs, a barter work system, advocacy efforts, and a well-loved cafe welcoming all (now closed, with plans to reopen when a permanent location is secured).

  • Ground Score Association, an association of informal recyclers, canners, dumpster divers, and other waste pickers who create and fill low-barrier waste materials management jobs.

Street Books Library

Street Roots, hot off the press!

Damon’s creative process began with Listening & Learning Sessions, where he, alongside PSAA Executive Director Tiffany Conklin, met with these organizations providing essential support and services to the houseless community. Smyth learned about the function of each organization and how the community interacts with it. From touring the Street Books lending library to interviewing Street Roots newspaper vendors, the goal was to collaboratively design a mural that felt authentic and inclusive for all.

These discussions played a key role in shaping the mural’s design, which incorporates imagery that reflects the community’s contributions and experiences, such as blank books symbolizing open narratives, a book delivery bike, and a rolled-up newspaper, honoring the work of our project partners.

PSAA and Damon also met with Street Roots newspaper vendor Tony Boone to gather input on the mural’s design. Tony helped PSAA manage two of PSAA’s Houseless Initiative Murals, the Leroy Memorial and Housekeys Not Handcuffs. Thanks to his job selling Street Roots newspapers in SE Portland, Tony is now employed at Belmont 34 Grocery. With this income and more stability, Tony was able to buy work tools and a laptop. He is now working with other local businesses (Stumptown Coffee, Hoda’s Lebanese Restaurant, and more), providing them with building maintenance support.

Street Roots vendor, Tony Boone

Brainstorming with Ground Score Association

Throughout the design phase, Damon worked closely with p:ear youth, who shared their stories and contributed creative ideas for the mural. Their collaboration not only shaped the mural’s design but also provided participants with valuable skills and paid work opportunities. Ground Score workers also played a key role in the design and painting, offering essential support while creating paid work opportunities for members of the houseless community.

Streets of Hope features a large green pear to honor p: ear youth, paint buckets, and brushes, as well as musical instruments representing p:ear’s youth arts services. On the south wall of the mural the mural Ground Score workers can be seen canning and cleaning up city streets. 

A variety of figures are placed throughout both walls of the mural. The faces on the figures are deliberately less detailed, allowing many to see themselves in the faces of these figures. The objects the people are carrying and how they are grouped together were based on feedback from the houseless community, and demonstrate how they support one another and gather together.

"It was a unique and exciting opportunity to be a part of the whole process, and I hope to be able to be a part of a similar experience in the future. Having the artist actually speak with us about our lived experience to generate ideas and then seeing our words reflected in his art, felt like an honor, and I really appreciated him doing it in a genuine and sincere manner." – Becky, Ground Score Association 

CREATING TOGETHER

To kick off the project Damon and PSAA hosted two four-hour Community Painting Days, providing a unique opportunity for p:ear youth and Ground Score workers to actively participate in the mural’s creation. These sessions allowed participants to learn painting techniques, from brushwork to spray-painting, and contribute directly by applying the base coat colors for the mural. They were compensated for their work, reinforcing the value of their contributions and offering financial support.

"Thank you so much for letting me be a part of the project! Painting with the group was inspiring and helped me learn new things too. And getting paid for it was a sweet bonus. The whole vibe was nice. I'd definitely be down to do it again sometime." – p:ear youth

For at-risk youth, community painting days can have a profound impact, beyond artistic skill-building. They fostered a sense of accomplishment, belonging, and creative expression, empowering participants to see themselves as integral contributors to a transformative community project.

The experience of working alongside professional artists and peers in a collaborative environment helped to build confidence, nurture teamwork, and inspire hope for future opportunities. These projects are compelling demonstrations of the power of working together to beautify neighborhoods, sharing the untold stories of those often under-represented, unheard, and overlooked. 

"It was an amazing experience, I loved how much the community was involved. I enjoyed the teamwork and meeting the other people we painted with. I liked learning the spray painting techniques Damon shared with us. PSAA created a space and peace for us that day, I am grateful for the experience." – p:ear youth

p:ear youth practicing newly learned spray skills

A Ground Score worker helping apply base layers

IT TAKES A VILLAGE

Streets of Hope stands as a powerful testament to the impact of community collaboration. Through a multi-faceted approach that involved houseless service and advocacy organizations, the mural helps create space for sharing voices and perspectives from the houseless community. By integrating these grassroots organizations into the creative process, this mural not only highlights the experiences of those who are often marginalized but also bridges the divide between the housed and unhoused populations of Portland. It serves as a reminder of the strength, resilience, and unity that can be found in communities facing adversity.

“PSAA and Damon are very community-minded. I had a great time and I'd do it again many times over. It's for a great cause! And it was an honor to see waste pickers like myself recognized in this way." – Psyon, Ground Score Association

This project could not have been realized without the invaluable support and partnerships of organizations like p:ear, Ground Score Association, Street Books, Street Roots, and Sisters of the Road. 

“This mural captures the spirit of hope, resilience, and collective action within our unhoused community, as well as the dedication of local organizations that provide our most at-risk community members with vital support and compassionate care. We are thrilled to collaborate once again with muralist Damon Smyth, whose artistic vision continues to bring profound meaning to our city. Thanks to the incredible partnerships with p:ear, Ground Score Association, Street Books, Street Roots, and Sisters of the Road, along with generous funding from Prosper Portland, the Oregon Arts Commission, and the Oregon Community Foundation, we are excited to see this project come to life after nearly three years of planning.” – Tiffany Conklin, Executive Director, PSAA

“Street Books believes in access to good books and the community at the street level, which is why the collaboration with PSAA is such a good fit. Street art is by the people for the people, and everybody is invited to enjoy it. Long live art and the community that creates it together!” – Laura Moulton, Executive Director, Street Books

“Art has a unique power to build a sense of belonging in the communities we serve, especially when it is the result of partners coming together in a collaborative and creative process. The ‘Streets of Hope’ mural project is exactly the kind of place-making Oregon Community Foundation is proud to support.” – Colin Fogarty, Communications Director, Oregon Community Foundation

“We are very excited to partner with PSAA and support the Streets of Hope Mural. The power that projects like this one have to unite people in the creative process and in the appreciation of the finished mural is unique. This project is a testament to the critical role art plays in creating community and augmenting the inclusivity and vibrancy of Portland.” – Shea Flaherty Betin, Interim Executive Director, Prosper Portland

Streets of Hope has not only transformed a physical space but also fostered a sense of community and inclusion, enriching Portland’s cultural landscape for years to come. PSAA plans to continue its houseless initiative, fostering livability for all and empowering unhoused individuals through art. The organization remains committed to creating public murals that reflect and celebrate the diverse stories within Portland’s communities.

IN THE MEDIA

LADIES UP WESTSIDE

LADIES UP WESTSIDE

HILLSBORO, OREGON

In 2024, PSAA expanded the Ladies Up Community Art Project by bringing it to Hillsboro, creating even more opportunities for female artists! 

In 2020, PSAA launched Ladies Up to empower female-identifying artists in the local community. This groundbreaking initiative has grown steadily, and we’re thrilled to announce its expansion to Downtown Hillsboro, thanks to the generous support of First Tech Credit Union!  Inspired by the success of our original Ladies Up location, featuring 12 rotating murals along SE Alder St & SE 15th Ave in Portland, First Tech Credit Union partnered with PSAA to bring this program to the west side.

The first mural at Ladies Up Hillsboro was created by talented illustrator and muralist Mandy Arroyo. A Pacific Northwest native, Mandy drew on her love of nature and trail running in Forest Park and around Mt. Hood to craft her stunning piece, “Mt. Hood Forest View.” Here’s what Mandy shared about her inspiration:

"This mural was inspired by the feeling of being connected to nature in the forest and the delight of stumbling upon a view of Mt. Hood through an opening in the trees. I hope it gives passersby a moment of joy and connection as they walk down 3rd Street in Hillsboro." - Mandy Arroyo

Despite the rain and chill of November, Mandy worked tirelessly to complete this lovely mural, which captures the magic of Mt. Hood framed by towering trees and an alpenglow sky. 

Programs like Ladies Up give artists the freedom to choose their mural content, empowering them to grow their practice and share their unique perspectives. PSAA is proud to support Mandy and many other artists in shaping a more inclusive street art community.

“Over the last decade, First Tech has proudly invested over $20M into the community to support the next generation of leaders, thinkers, and innovators. The work of the Portland Street Art Alliance and their Ladies Up Project is inspiring. We are so proud to have been able to partner with our Board Member, Margo Fowler, to support this beautiful street art in Hillsboro.” – Chylon Pappas, CUDE VP, Corporate & Government Engagement

Thank you to First Tech Credit Union and everyone who makes programs like this possible! We also are incredibly grateful for the support from Adam at State Farm and Karl at the City of Hillsboro for helping us with logistics and permitting. 

BROOKLYN BOUND

BROOKLYN BOUND

Brooklyn neighborhood, PORTLAND, OREGON

Brooklyn Bound is an expansive mural at Heckmann & Thiemann Motors, a family-owned and operated specialty repair shop, perched above the busy underpass of SE 19th & Powell Blvd.

The first historical landmark is the iconic Aladdin Theater sign. The names on the marquee credit the contributing writers and lead muralist. Brooklyn Park’s splash pad water slide is featured, a favorite summertime destination for many neighborhood kids and adults on hot summer days.

Next to the marquee, is the famous Poulsen House, a beloved local landmark that has overlooked the Willamette River since 1892; a major example of Queen Anne architecture in Portland. Poulsen was one of Portland’s lumber barons and was said to have hand-picked the highest quality mahogany, oak, and old-growth Douglas Fir used in its construction. 

Tucked amid the neighborhood’s Trimet MAX tracks is a piece by TRUE 54. The tracks lead to a collage of symbols of Brooklyn, including a train, cargo bike, and a sneaker representing Phil Knight who attended nearby Cleveland High School. Following along the tracks is another piece, by legendary writer, KANGOE. 

The next set of images honors Brooklyn’s long history of being a working-class neighborhood with many beloved local brewers and vintners. Amongst a pair of chrome taps, sits a bottle of wine. In a clever twist, the imagery on the label is the logo of Devin’s company, Define Arts. The final piece is a colorful cotton-candy like swirling piece, from local writer OTHER, next to tracks that softly curve into the Ross Island Bridge. 

“This was a fun project encompassing several facets of the Brooklyn neighborhood. Focusing on historical landmarks, tradition, modalities, amenities and this unique location. We wanted to add elements of style writing and tie in the aesthetic of the spray painted imagery. Creating harmonious movement between the two concepts.” – Artist Devin Finley 

ADDITIONAL PHOTOS

IRVINGTON'S ROSE

HONORING A NEIGHBORHOOD TREASURE

IRVINGTON, NORTHEaST PORTLAND

The Irvington neighborhood of Northeast Portland has a vibrant new landmark: a breathtaking mural that celebrates the cherished legacy of the historic Irvington Theatre, a cultural treasure and community hub for 65 years.

Titled Irvington’s Rose: A Tribute to the Historic Theatre, this captivating mural was designed and hand-painted by renowned Portland muralist Julia Alexis Hunkler. Through her meticulous artistry, Hunkler masterfully evokes the spirit of the theatre, which opened in 1925 as a 640-seat neighborhood cinema and became a beloved gathering place for generations.

Employing the intricate trompe l’oeil technique, Hunkler’s mural creates the illusion of stepping back in time. The scene draws the viewer into the theatre’s vibrant interior: a grand stage framed by rich burgundy curtains with golden accents. Rows of iconic red seats seem to extend into the foreground, while a green archway cleverly integrates the mural into the building’s historic facade. Adding to the mural’s charm are delicate yellow roses, a nod to Portland’s nickname, the City of Roses, and a poignant tribute to the theatre’s enduring significance.

At the heart of the mural are six blooming yellow roses, symbolizing the six decades the theatre served as a cherished neighborhood fixture; a place where stories unfolded on-screen, and connections blossomed off-screen.

“Every brushstroke became a way to reclaim the neighborhood's memories and pride for this historic theatre. This mural is a tribute not only to the theatre but also to the vibrant community it united,” – Julia Alexis Hunkler, Muralist

This mural also underscores the importance of community spaces in cities like Portland. Irvington’s Rose honors a piece of Portland’s history while celebrating the sense of belonging that the theatre inspired among residents of the Irvington and Boise neighborhoods.

While the original theatre space has transformed, it remains a vital community hub. In 2023, the beloved Milo’s City Cafe reopened in the theatre's historic location, thanks to Albert Escobar, a longtime former employee.

“When the curtain rises on any new mural project, it not only adds character and beauty to the location but is also the result of a months-long collaborative effort by neighbors, business owners, artists, art organizations, and the city. NEBBA had a great experience working with The Portland Street Art Alliance on the large mural on the back of the Broadway Grill & Brewery and did not hesitate to recommend them again for this project for their organization and helpful direction. We would also like to thank Metro and The Irvington Community Association for their help in funding this project!” – Bonnie Paisley Scott, Northeast Broadway Business Association

The mural was made possible through the collaboration of many community members. Funding came from building owners Kathy Schroeder and Tom Gustafson, a grant from Oregon Metro, support from the Northeast Broadway Business Association. Special thanks to Miller Paint for providing discounted materials to help bring this vision to life. This mural is now part of the city’s official public art collection, managed by the Regional Arts & Culture Council.

“PSAA is always excited to create historically-inspired murals in the communities we serve. These projects offer us a unique opportunity to explore local history and immerse ourselves in the stories of these places. This project was especially rewarding, as we had the chance to create artwork that seamlessly complements the timeless Art Deco design of the building on Broadway. Julia did an outstanding job bringing the Irvington Theatre to life through her work, ensuring that future generations will have the opportunity to connect with and learn from this piece of Portland cinematic history.” – Tiffany Conklin, PSAA Executive Director

Whether you’re a longtime resident or a visitor, be sure to stop by and see the Irvington’s Rose. This vibrant new treasure is more than just a mural, it’s a testament to the power of art to honor the past, celebrate the present, and bring a community together.

A Look Back: The Legacy of the Irvington Theatre

Built in 1925, the Irvington Theatre was a beloved 640-seat, single-screen cinema that became a vibrant hub for residents of the Irvington and Boise neighborhoods. For decades, it served as a cherished gathering place, bringing the community together to enjoy the magic of film.

The theatre was home to a remarkable Estey Organ, custom-built specifically for Irvington Theatre. This II-manual, 10-rank organ, featured a luminous push-button console, was a state-of-the-art marvel of its time. According to the Encyclopedia of the American Theatre Organ, it cost $10,036; a significant investment for the era. Unfortunately, the organ was dismantled and recycled for parts in the 1930s, marking the end of a unique chapter in the theatre’s history.

In its later years, the Irvington Theatre endeared itself to the community by screening second-run films for just a dollar per ticket, cementing its reputation as a local favorite. However, as multiplex theatres began to dominate the movie-going experience, the Irvington Theatre struggled to compete. In 1990, it was forced to close its doors; a poignant loss for the Irvington neighborhood and for Portland’s cultural history.

The building's legacy began to reemerge with the installation of a striking new sign, crafted in collaboration with its owner and Security Signs in the early 2000s. 

Side By Side: Historical sign and new mural segment

Today, that vision has come to life with the completion of a breathtaking mural, fulfilling the long-held dream of the building’s current owners, Kathy Schroeder and Tom Gustafson.

“Since we purchased the Irvington building 15 years ago, we’ve dreamed of a large mural that would honor its rich history as a 1920s theatre. The journey began with the restoration of the iconic Irvington Theatre sign (by Security Signs of SE Portland) and now, with this incredible mural, the vision has finally come to life. We’re deeply grateful to the Northeast Broadway Business Association, Portland Street Art Alliance, METRO, the Regional Arts and Culture Council, and muralist Julia Alexis Hunkler for helping make this dream a reality.” –  Kathy Schroeder & Tom Gustafson, Property Owners 

The mural stands as a vivid tribute to the theatre’s golden era and a powerful reflection of the community spirit that shaped its history. More than a celebration of art, its completion marks a revival of Irvington’s cultural legacy, fostering a sense of connection and pride among residents, both past and present.

ADDITIONAL PHOTOS

IT TAKES A VILLAGE

THE VILLAGE

Tony Hopson Sr., Center for Self EnhancemenT

As part of a nearly year-long initiative PSAA teamed up with the non-profit Project Color Corps (PCC) and Portland Muralist Kyra Watikins to create and install a new 1,500 SF mural at The Tony Hopson Sr., Center for Self Enhancement, the central location for the Self Enhancement, Inc. (SEI) SEI is a non-profit African American organization that serves youth and families of North/ Northeast Portland and was the perfect location for a Project Color Corps. Mural.

The initial process started with Project Color Corps working with the youth at SEI to develop a mural that would help foster feelings of belonging and a sense of community. As part of Project Color Corps process, students were invited to take a survey connecting their emotions about how they wanted to feel when entering SEI to color, ultimately resulting in the upbeat and energetic color palette chosen for the mural, and how different colors can affect how a space feels. At the end of PCC’s work with SEI youth, they selected the final color that Kyra used in her design. 

To kick off the mural installation, a Community Painting Day was held by Kyra and Project Color Corps. Community members of all ages came together to paint the foundation of the new mural which is a centerpiece of the facility.

Portrait of SEI Founder Tony Hopson Sr.

The design was created based on SEI’s newest mandate. Originally a resource for North Portland youth, SEI has expanded their focus to include community members of all ages, with a long-term goal to become the African American Cultural Center in Portland. To reflect this, the phrase “The Village” was selected.

Kyra’s design incorporates SEI’s font, and within the lettering are overlaid images of members of the community participating in events fostered by SEI. Most of the imagery is non-representative, however, the first portrait nestled in the letter “T” honors SEI’s recently retired founder, Tony Hopson Sr. Hopson founded SEI in 1981 as a one-week summer program servicing Black Youth. Through the last 43 years, he fostered and expanded the non-profit to include programs for students at 19 schools in four different school districts: Portland Public Schools, Parkrose, David Douglas, and Reynolds.

"I am so thrilled with the new SEI mural and enthralled by the process of bringing this piece to fruition. "The Village" was really behind the creation of this one. Seeing the community come together to embrace this project and lend their capabilities to making it come to life is the ultimate personification of the phrase that now adorns the walls of SEI. I am truly humbled that the community members and stakeholders at SEI believed in my abilities to bring their vision to life, and I am so thankful to the village that helped me do it."  – Kyra Watkins, Muralist

“The mural at the Tony Hopson, Sr. Center for Self Enhancement is titled "The Village," to represent our identity and commitment within the community. In partnership with Project Color Corps and Integrus Architect Firm, we have created a powerful multi-generational replica that will stand proudly in our building for years to come. This collaboration was deeply rooted in the voices of our students, staff, and community members, who contributed their ideas on design, color, and scale.” – Tamra Hickok, Director of Program Innovation, Self Enhancement, Inc.

“Project Color Corps believes in the mission of SEI to provide a safe haven for thousands of children in Portland.  We are proud of our Portland Chapter's hard work and dedication and celebrate the power and message of “The Village” created by Kyra Watkins from Portland Street Art Alliance.” – Laura Guido-Clark, Founder, Project Color Corps

“It has been an honor to work with Kyra Watkins and Project Color Corps again, and SEI for the first time on this inspiring new collaborative mural - which really took a VILLAGE to create! From mural content ideas, color palette selection to painting, the mural came to life thanks to the helping hands of many. A mural for the community, by the community.”  – Tiffany Conklin, Executive Director, Portland Street Art Alliance

MAKING A VILLAGE

COMMUNITY PAINTING DAY

Artist Kyra Watkins giving painting tips. 

On Saturday, September 21, 2024, a well-attended Community Painting Day was held at SEI. Community members painted multicolored homes that form the background for the mural. 

Some of the same students who helped with the design and color palette attended the Community Painting Day as well, allowing them to participate in the project from start to finish.

Other volunteers included the Portland Chapter of Project Color Corps, SEI leaders, and members of the community. Everyone came together on a wonderful day of community-building and now can take pride in the mural they’ve helped to create!

Artist Kyra Watkins (middle) and the members of the Portland Chapter of Project Color Corps Sondra Jakuwboski, Alison Selby, Puji Sherer, and Gabrielle Enfield (L to R).

IN THE MEDIA

PROJECT SPONSORS

ADDITIONAL PHOTOS

BUILDING COMMUNITY, TOGETHER

BUILDING COMMUNITY, TOGETHER

EAST PORTLAND

PSAA is excited to announce the completion of a new mural located at The Rosewood Initiative. The mural, titled The Eastside, celebrates the vibrant and diverse community of East Portland, where so many stories of resilience and growth take root. Set among a garden of iconic Portland roses and new blooms, the mural honors the strength of immigrant journeys and the pride in the many cultures that shape this community. Though often overlooked and underserved, East Portland continues to strive, thrive, and uplift its members, standing as a vibrant hub of economic growth and opportunity. 

The Portland Environment Management Office (PEMO) of the City of Portland provided a grant to support the creation of this mural.

The mural was designed and painted by Portland-based mural artist, Daren Todd. Daren creates vibrant, community-driven artworks that blend abstract art and graphic portraiture, capturing the interconnectedness of humanity and nature. If you look closely, you can spot him in the mural.

The Eastside represents the diverse community that the Rosewood Initiative serves, and includes stylized portraits, symbolic of the many cultural groups who call East Portland home. Daren thoughtfully illustrated the spirit of this well-loved social service hub and its important role as an anchor in the East Portland community, along with their slogan “Building Our Community Together."

This mural came to life through a process of carefully selecting images from The Rosewood Initiative's archives, capturing moments from community events and the everyday life of East Portland. By combining the emotion and pride in the portraits with a variety of Oregon’s native plants and flowers, Daren aimed to create a design that would brighten the previously faded yellow exterior of The Rosewood Initiative.

“The Eastside took about a week to complete, with the help of a small, dedicated team of assistants. I’m incredibly proud of the outcome and deeply grateful for the opportunity to visually represent what The Rosewood Initiative stands for. My hope is that this mural truly reflects the spirit of the people who make East Portland what it is.”  – Daren Todd

"We are thrilled to see this mural come to life! Daren’s art brings together an important piece of our growing community hub. It has transformed the outside of our building into a welcoming space that invites community members in, and captures the resilience, diversity, and beauty of East Portland. We have so much gratitude for Portland Street Art Alliance and the Portland Environment Management Office for being great partners in this process and making the mural possible.” – The Rosewood Initiative Team

“PSAA is honored to support the creation of The Eastside mural, a vibrant visual celebration of the resilience and diversity that defines East Portland. This collaboration reflects the power of art to connect people, amplify and elevate marginalized voices; stories that too often go unheard. Daren’s thoughtful design and skilled execution not only enhance Rosewood Initiative’s building, but also serve as a lasting testament to the strength and spirit of this neighborhood. We’re proud to see public art continue to play a vital role in transforming our city and bringing communities together.” – Tiffany Conklin, PSAA Executive Director

ADDITIONAL PHOTOS

CULTIVATE, NARRATE, CRAFT

CULTIVATE, NARRATE, CRAFT

CENTRAL EASTSIDE, PORTLAND

A new initiative is taking root this fall, Portland Street Art Alliance (PSAA) recently teamed up with JAM Makery LLC, partner of Open Urban Practice and Bridge Rats Artist Studios in the Central Eastside, and PDX Farm. 

Working together, this team is undertaking a full revitalization of 831 SE MLK in the Central Eastside. While PSAA muralists conjure up haunting visuals on the building, PDX Farm is working to install edible gardens with native species and seasonal interactions.

Vibrant new community-driven artwork is being painted, along with extensive building renovations and a major dig-up to create an event space immersed in a regenerative urban and edible garden. 

This multi-faceted project and partnership aims to create a focal point to the Central Eastside’s Mural District to celebrate the production of community-driven local street art and the next generation of ecological urbanism. The project's goals include:

  • Amplify Portland’s historic industrial district as a world-class destination of public art 

  • Restore a native edible microecology with public programming around visualizing underrepresented narratives utilizing food foraging 

  • Inspire a civic imagination to reshape the district towards resilience, inclusion, and socio-economic prosperity 

  • Support a mural along the full block frontage of SE MLK & Morrison streetcar/transit stop as a vibrant and informative gateway to the district

  • Activate an abandoned space into a welcoming space for art, food growing, and community building

"Our dream is to seed a greater civic venture that celebrates the geography, heritage and dynamic future for the Central Eastside’s. A future that is in dialogue with the socio-economic significance of this part of the city, the natural ecology as foundational to urban prosperity, the people who have shaped the creative, nuanced and diverse voices of the district’s cultural production, and new possibilities for how we imagine our city’s future vibrancy."  – Alexis Sanal, AIA, partner of JAM Makery 

The team’s intention is to activate underrepresented narratives and communities as well as stories of urban ecology and cultivation, including the significance of the river ecology and economy. To create an active gateway to the Central Eastside as a welcoming, creative and production oriented district. Visitors, district locals, enterprises, as well as existing and new communities of interest can participate in a community approach to public art side-by-side with a commitment to ecological city-design.

"Our crew plans to cultivate a beautiful, creative, and bioactive growing space that will inspire and encourage those visiting to care for the land and nourish their community. This transformation comes to us on a patch of land that has been long neglected and forgotten. The team aims to utilize regenerative management methods to create and support habitat for urban creatures, both human and non-human.  In addition to this, our studied team of urban farmers will share their knowledge through community workshops." – Dan Campbell, PDX Farm

A FRESH PSAA COMMUNITY ART PROJECT

As part of PSAA’s innovative Community Art Program, the mural work is being supported by a grant from Metro Regional Refresh Fund, along with donations from the public. With incoming donations and ongoing grant support, this mural project will periodically rotate (about once a year) to provide fresh canvases for new artists to express themselves and network with the creative community that is blooming onsite. 

"PSAA is thrilled to unveil PSAA’s latest Community Art Project site. Partnering with JAM Makery LLC and PDX Farm, we’re transforming this bustling corner of the Central Eastside’s Mural District into a lively celebration of community-driven public art and ecological urbanism, with a bountiful garden being installed. It has been a long time dream of PSAA’s to paint a Halloween-themed mural production in Portland. We are thankful to the property owner for letting us actualize this vision. Artists were thrilled to be a part of this one." – Tiffany Conklin, Executive Director, Portland Street Art Alliance 

The inaugural round of murals conjures up a spellbinding theme, ‘Halloween & Harvest’ showcasing a tapestry of autumn-inspired imagery, from ominous owls and grinning jack-o-lanterns to ghostly graves and creepy critters.

CLASSIC HALLOWEEN

First up is local artist Brayniac with a perfectly vintage Halloween vibe mural, setting the eerie tone of this production off right!

WE DIG IT!

Next up, it is hard not to dig Tyler Shrake’s newest creation, a hauntingly beautiful graveyard scene cast in perfect autumn colors. 

"Halloween is an invitation to embrace not only spooky thrills and darker days, but also death itself and all of the regeneration that comes with that part of the cycle of life. In this autumnal mural, I chose to create a blood moon graveyard scene with a tombstone that has inscribed in Latin "nihil est creatrix quam mors" which is a quote from Alan Watts that means "nothing is more creative than death." This is to suggest that through the acceptance of the impermanence of life, we become free to live fully in the present moment. Alan Watts has been a huge influence on my art for several years now, so I thought it would be fun to sneak in one of his teachings related to death for this Halloween-inspired mural." – Tyler Shrake, Muralist 

Beetlejuice, Beetlejuice, BETTLE…

In a healthy garden, you have worms! Watch out for this slithering and writhing sandworm bursting through the building and pavement in the Central Eastside, searching for its next gruesome and gory meal. For his second piece, Tyler expertly recreated a slithering sandworm that emerges from the sidewalk and slithers through the building’s facade.

KEEPING WATCH

Up next on the painting team was local artist Quomni, who is also assisting the Property Owner with site management and coordination.

This dynamic piece features a surreal garden scene - a maze of flowing pumpkin guts intertwined with sword ferns and Oregon Grapes. Emerging from this vivid landscape is Quomni’s creature, a gargoyle-esque figure with bat-like ears, piercing eyes, and ravenous teeth, standing as a watchful sentinel over the site.

Quomni explains their inspiration: “We all have an inner substance brewing within us. The goal then becomes figuring out how to express it and what it looks like. This substance spills from a deity that represents some concept. In the same way that Greek gods had their power from those who believed in them, these deities manifested and gained power from those who dedicated their passion to their concept.”

GARDEN LIFE

Along the south wall of PSAA’s harvest-inspired production in the Central Eastside, local writers ORIEN and CHAIR have created a few garden curiosities. Behold - a wacky flower swaying in the breeze, serpentine vines creeping around, and a radish spirit rising up from the earth, acting as guardian of the garden.

IN THE MEDIA

TERMINAL 1

VANCOUVER WATERFRONT WELCOMES VIBRANT NEW MURAL 

VANCOUVER, WASHINGTON

In August of 2024, muralists Jeremy Nichols and Hayden Senter worked two-stories above the skyline in Vancouver, Washington collaborating on their latest public art mural. This beautiful piece covers the corner of the new Port of Vancouver’s Terminal 1 development at 330 W Columbia Way, which is part of the re-envisioning of Vancouver’s waterfront.

This project was long in the making. In 2022, PSAA began consulting with the Lincoln Property Company (LPC) team regarding site artwork for the two new mixed-use buildings. The idea was to include wall murals, artistic wayfinding, rotating gallery space, and more.  In the end, LPC reserved two prominent walls on both buildings for hand-painted murals. Other cool features of this site include a public boardwalk, green space, public seating, historic boardwalk, and bike/walking paths along the waterfron

PSAA provided LPC consultation on the proposal process and helped spread the message about the open RFQ. PSAA applied with 3 teams, and the winning concept from Jeremy Nichols and Hayden Senter was selected for Mural 1, which now graces the NE corner of Cascade & Columbia Streets. The artists worked with Star Rentals Vancouver and Robertson & Olson Construction to navigate around this active construction site in a challenging spot over an awning.

Photo courtesy of the artists.

Photo courtesy of the artists.

“We wanted to create a mural that grabs the viewers attention, sparks curiosity, and brings the community together to start a conversation. We went into this knowing that our imagery needed to represent the area's history, culture, geography, nature, industry, and growth. The mural needed to be able to tell stories in a subtle manner in order to leave room for people to discover something new from their own perspective.” – Artists Jeremy Nichols and Hayden Senter

Starting with the background of the mural, Hayden and Jeremy chose a color that would compliment the surrounding architecture and give a natural, fluid feeling. The use of large graphic rain drops helps break up the composition and adds to that rainy feeling of the Pacific Northwest.  The background depicts a darker blue organic graphic, which not only provides the mural with natural movement, but also a graphical rendering of the Columbia River from a topographical map. The lines are also a nod to the Hispanic population, who were some of the the first to create in-depth topography and scientific studies of Washington State.

In the center of the east facing wall, is a giant Purple Martin bird. The Port of Vancouver has worked with the nearby Ridgefield Wild National Refugee to increase their nesting grounds at the Columbia River Wetlands Mitigation Bank to increase the population of this rare migratory bird. 

The use of tall grass throughout the mural represents these essential Vancouver wetlands and the Port’s Habitat Enhancement Program. The depiction of the Purple Martin represents the growth of Vancouver and its sustainable-minded approach to future community-building.

Above the Martin is a floating black beaver hat. This hat is a subtle representation of the fur trade, and the Hudson Bay Co’s. beaver hats, that were an essential part of men's fashion and were extremely valuable. Hudson Bay Company, who occupied the Fort of Vancouver for a time, was an important contributor to the fur trade and played a large role in the port's establishment and relationship with Asia.

The North facing wall features flora and fauna to tell Vancouver's story. The cherry blossom blooms in the upper right corner reference the 100 cherry trees Japan gifted to the City of Vancouver to commemorate Washington's 100th anniversary of statehood.

The purple Camas flowers that appear on both panels are a subtle nod to the indigenous tribal communities. The flowers reference the Native American story of Grandma Camus, who in order to save her family and community from starvation, transformed into camas bulbs. Camas are native flower species to Washington and were a food source for Native tribes for several generations. Before sugar was introduced, roasted camas flowers were used to sweeten other food. Lastly, sitting atop an old pier log is the American goldfinch, Washington’s state bird

The remainder of the images are representative of the industry and the port itself in more of a literal way. At the corner of the wall the artists used a large RxR sign to represent the BNSF train yards/Amtrak across the way.

Down the street from the mural site is a large cannery and metal scraping plant represented by two rustic looking cans. These images were included to represent what existed at the site before the new waterfront. Other design elements honoring the site's history include pier logs and red nautical rope that weaves through both panels of the mural, tying the panels together.

RIBBON CUTTING

Muralists Hayden Senter and Jeremy Nichols.

Ribbon Cutting Ceremony.

On Thursday September 19, 2024, a well-attended ribbon cutting ceremony was held at the new Terminal 1 development in Vancouver, Washington. The celebration included the artists and principles for the project. 

Muralists Jeremy Nichols and Hayden Senter. 

“PSAA was excited to partner with the Port of Vancouver and Lincoln Property Company on this new piece of public art at Vancouver’s waterfront district. Being on the planning team for this project gave us an early understanding of what the goals were for the artwork and site flow. Muralists Jeremy Nichols and Hayden Senter were a perfect fit to blend this site's unique history and geography. We always love an opportunity to blend nature and industry, and the artists did this masterfully well.” – Tiffany Conklin, Executive Director, PSAA

“When considering the Terminal 1 development and how it would find its place on the Vancouver Waterfront, we knew that we would need to adopt an aesthetic that provided individualism as well as a critical tie to the important stories of the area. The Port of Vancouver site, rich with history of commerce and connection to the river, needed artwork that reflects those themes and the prominence of the development. We love the boldness and color that Hayden and Jeremy's mural brings to our building at a critical and visible intersection. We are proud to have such an original piece showcasing our building and hope that it brings joy to the waterfront community.”  – Aaron Van Dyke, Senior Vice President, Lincoln Property Company

ADDITIONAL PHOTOS

EAST PORTLAND BOYS & GIRLS CLUB CELEBREATED

THE STORY OF CLEGG BOYS & GIRLS CLUB

LENTS, Portland, Oregon

The recently renamed Clegg Boys & Girls Club has a new mural honoring the clubs’ history and celebrating its future. Artist Miche McCausey was tasked with creating a visual ‘timeline’ of the club’s history. Miche included various portraits of individuals that were a part of the clubs’ history, all atop a transitioning landscape background.

The mural starts at ‘Katy Beach.’ Katy was a beloved employee at the club who passed away in a car accident. Along with working with youth, Katy loved the beach, which is where Miche chose to add her portrait.

The next image is of a young Mike Kuiawa. Mike attended the club as a youth and continued working with the club into adulthood. A portrait of a younger Mike stands in the forest, next to a trailhead sign for the imagined ‘Mike Kuiawa Trail.’ The trailhead sign includes a full timeline of the club, while the trail through the forest contains stepping stones with phrases that describe all the types of ways youth benefit from the club, including things such as “friendship,” building “confidence,” and more.

As the forest transitions into a city scene, the viewer is welcomed to ‘Wattles Street’ by the former club namesake, Mike Wattles. In 1999, Mike donated a million dollars to support the clubs’ long-term programming. Next, a girl dribbling a basketball leads the viewer into a scene of kids and adults painting a street mural in front of the club.

The final portrait on the wall is of beloved Woodlawn neighborhood teacher Lionel Clegg, the new namesake for the club. In fall of 2023, Clegg was honored by the Boys & Girls Clubs of Portland Metropolitan Area for his many years of service and dedication to the community. The organization also renamed their Wattles location in SE Portland to the Lionel Clegg Boys & Girls Club.

Along with the portraits, Miche included a variety of ‘easter eggs’ for the kids to discover, including a starfish, salmon, squirrel, owl, cat, and a dog.

When planning the mural, Miche considered the environment and audience. A natural initiative artist, Miche chose a trauma-informed color palette to create a calm and caring space. This was PSAA’s first opportunity to work with Miche and we are so impressed with their creative and thoughtful approach to this mural.

ADDITIONAL PHOTOS

IRCO'S PACIFIC ISLANDER & ASIAN FAMILY CENTER

Celebrating 30 Years of IRCO's Pacific Islander and Asian Family Center

Portland, Oregon

‘Uplift’ by Alex Chiu, located at 8040 NE Sandy Blvd in Portland, Oregon. 

Over three weeks this summer, delicate images began to emerge from the facade of a building on NE Sandy Blvd and 80th Ave. The series of portraits, done in soft blue and teal tones, are part of a large mural by muralist Alex Chiu. The mural was painted in celebration of Portland-based non-profit, the Immigrant and Refugee Community Organization (IRCO) and the 30th year anniversary of their Pacific Islander and Asian Family Center (PIAFC), of which the mural now graces. 

Titled Uplift, the mural features a portrait of a Samoan mother lifting up her young daughter as she softly ascends through the air. Both figures are supported and surrounded by a beautiful array of community members.

“When choosing the imagery for the Pacific Islander and Asian Family Center, I was inspired by an old photo of Juliannah and her daughter, Leupeti. The image shows Juliannah lifting her daughter in the air in a gesture of celebration. For the mural, I incorporated an image of a rose in Leupeti’s hands as a symbol of the city of Portland. To me, this image encapsulates the love of a parent for their child while celebrating and uplifting the future generation and I wanted this image to be the focus of the mural.”

“I was honored to have the opportunity to paint for an organization as important to the immigrant community as IRCO. I am proud to feature several local Portland figures, including Juliannah and Leupeti of the Island Soul Dancers. I used a new design style that worked out well for the mural concept. The use of monochromatic portraits allowed me to include several portraits within the image without detracting from the main image of a mother with her daughter.” – Alex Chiu, Muralist

The portraits represent the various cultural communities that live in the Portland area and receive services from the PIAFC. While not all of the cultural communities served by PIAFC were able to be included in the mural, this mural includes many Pacific Islander communities, as well as major refugee communities from Southeast Asia. Some of the communities depicted in the mural include Cambodian, Vietnamese, Lu Mien, Hmong, Micronesian, Yap, Tongan, Laotian, and Zomi. The flowers in the mural include a rose, a symbol of Portland, the city of Roses; a plumeria, the national flower of Laos; a lotus flower, the national flower of Vietnam; and a hibiscus flower, the national flower of Malaysia. 

As a child of immigrants and a participant in the IRCO community, it was important to Alex to be able to represent and honor PIAFC and its community warmly and accurately. He worked closely with IRCO as they sought to honor the vibrant cultural heritages of the Center’s clients and staff while reflecting the way that immigrants and refugees of all backgrounds have found community through IRCO’s Pacific Islander and Asian Family Center. 

The mural was developed through extensive community feedback and celebrates IRCO’s nearly 50 years of serving Asian and Pacific Islander communities in the Pacific Northwest. Uplift serves as a visual commitment of IRCO’s work and stands as a beacon of community.

“PSAA was honored to partner with community muralist Alex Chiu and IRCO on this project. An expert in his field, Alex always goes above and beyond to ensure that diverse voices are heard and included in the artwork he produces. Great care was given to locate inspiration imagery for this mural, to highlight some of the Asian and Pacific Islander communities IRCO has supported over the past five decades in Portland. It was also a pleasure to work with Christian Chase, IRCO’s Communications Designer and co-project manager for this mural. This new piece of public art is a beautiful addition to Sandy Blvd and celebrates a much loved local organization and the Asian and Pacific Islander community here in Portland.” – Tiffany Conklin, PSAA Executive Director

Alex Chiu with PIAFC staff. Photos provided by the artist.

With this new piece of public art, IRCO would like to thank, Alex Chiu, Connie Nguyen Truong, Anny Hsiao, Cayle Tern, Kathleen Jonathan, Sam Phan, Sam Bessas, Sokho Eath, An Bui, Kolini Fusitua, Nelyn Phillip, Lisa Sin, Christian Chase, Esther Kwak, Nhu Nguyen, Diem Nguyen, Nhu Hoang, Susan Lam, Stefan Saing, Makarano Yim, Francis Kham, and Khamille Newman. Additional thanks to any and all IRCO staff and community members that gave their time and input to make this project possible.

COMMUNITY MEMBER PORTRAITS

MURAL UNVEILING

Ribbon Cutting Ceremony. Photos provided by Alex Chiu.

On Thursday September 12, 2024, an unveiling celebration was held featuring a ribbon cutting and cultural dancers. Also in attendance were many of the Portlanders featured in the new mural.

“The unveiling of this mural marks 30 years since IRCO began culturally specific services through PIAFC’s wraparound model. I hope that it serves as a message of belonging to our communities and a celebration of the rich diversity found in our Asian and Pacific Islander communities. Thank you to the artist, Alex Chiu, our PIAFC advisory board, all of IRCO, and our communities for their contributions to make this mural happen.”  – Sokho Eath, Director of PIAFC

EVENT PARTICIPANTS

WELCOME TOAST: Lee Po Cha, IRCO Executive Director Sokho Eath, PIAFC Director
REMARKS: Representative Khanh Pham
RIBBON CUTTING: Dedication by Alex Chiu, Muralist
PERFORMANCE: Blue Vahine
CLIENT SUCCESS STORY: Muoi Chuong
ON BEHALF OF SENATOR WYDEN: Grace Stratton
PERFORMANCE: Roseway Middle School Dancers
PERFORMANCE: Tongan Youth
PERFORMANCE: Beautiful Ladies of Tonga
REMARKS: Lippe Ezra, Chuuk community leader
PERFORMANCE: Zomi Innkuan Portland Oregon (ZIPO)
REMARKS: Dr. Connie Nguyen-Truong, PIAFC Advisory Council Member
PERFORMANCE: Rose City Girls
PERFORMANCE: Rose City-Malo e Lelei Tongan Youths
PERFORMANCE: VietFans Dance Group

ADDITIONAL PHOTOS

IN THE MEDIA

 




50 YEARS OF HIP HOP

50 YEars of hip hop TRIBUTE PRODUCTION

Portland, Oregon

Located at NE Grand Ave & Halsey St., this new PSAA Community Art Project celebrates the 50 year anniversary of Hip Hop. This project came to life thanks to a team of incredibly talented PNW style writers and celebrates this milestone through one of Hip Hop’s most visible pillars – graffiti wildstyle art. The production also includes elements from all 5 Pillars of Hip Hop, including MCing/DJing, Breakdancing, and Knowledge.


Hip Hop is a groundbreaking genre that took the world by storm 50 years ago, reshaped our culture from coast-to-coast, and continues to reverberate throughout the world today. Hip Hop isn’t just music, breakdancing, or graffiti; it’s a voice for those unheard, a rhythm of defiance that continues to this day to captivate new generations and push new boundaries and breakthrough barriers. This year also brings another new milestone as Breaking (aka Breakdancing) is included at the Olympics for the first time.

Artist KANGO

Artist THEY DRIFT

““Hip Hop has always been there for me since a very young child. Kept me in a creative, competitive and grounded state of mind. Also kept me out of gangs and dealing which was also a heavy influence in my surroundings. I have met my very favorite people with the same goals and passion as I that I still build and develop with today. I can’t express enough about how powerful the lifestyle and culture can be for one person let alone worldwide.” - KANGO

As an artist, I am honored to be part of a project that commemorates over 50 years of hip hop. I selected Queen Latifah and Tupac as my subjects due to the profound influence they wielded not just within the realm of hip hop, but across broader cultural landscapes. Their commitment to amplifying their voices in the fight for social justice serves as a powerful inspiration for my own artistic journey.” - THEY DRIFT

“With this mural production, Portland Street Art Alliance wanted to honor the 50th year anniversary of the birth of Hip Hop. For us, it's not just about celebrating a groundbreaking new genre that took the world by storm, it is also about recognizing a movement that reshaped our culture from coast to coast and continues to reverberate throughout the world today. Hip Hop isn't just music, breakdancing, or graffiti; it's a voice for the voiceless, a resounding rhythm of defiance that continues to captivate new generations, push new boundaries and break barriers.

We hope that this mural in NE Portland celebrates the spirit of Hip Hop and stands as a vibrant tribute to the pioneers of Hip Hop. In painting this mural, we're not just commemorating the past; we're celebrating the enduring spirit of Hip Hop, a spirit of resilience, creativity, and most importantly passing down knowledge, and building a community of respect and unity. It's a reminder that art has the power to transcend barriers and inspire change. As you pass by the new mural, we hope it serves as a reminder of the stories of a movement that continues to shape our world, one rhyme, beat, and break at a time.” – PSAA Board of Directors

Thanks to all the artists who participated: GIVER, BRUE, THEY DRIFT, OTHER, KSRA, KANGO, DEPTHS, THRIVES, and ADJUST. With additional painting and organizing support from Hayden Senter, Galen Malcolm, and Jeremy Nichols. 

We would also like to thank project sponsors PacifiCorp, Metro, Miller Paint, and Montana Cans for recognizing the power and expression of this artform, and for supporting regional artists and creative freedom.

ADDITIONAL PHOTOS

PROJECT SPONSORS

LADIES UP

Artist Kyra Watkins getting started on her first mural in Portland, OR.

Artist Kyra Watkins getting started on her first mural in Portland, OR.

Portland Street Art Alliance’s Ladies Up Project brings rotating new murals to Portland and beyond, all designed and painted by female-identifying artists.

The first Ladies Up Mural Project is located at Morrison Place at 1401 SE Morrison St (along SE Alder St & SE 15th Ave). This mural project was made possible thanks to a partnership with the former property owner Killian Pacific, and current owner KOSS Real Estate Investments, along with sponsors Miller Paint and Metro Paint, and donations from neighborhood association residents.

The Ladies Up Project is an active rotating PSAA Community Art Project, where PSAA is provided curatorial control and artists are provided considerable open creative freedom in their work.

For this collaboration, PSAA chose a broad theme: a line-up of emerging female-identifying artists. Female/femme/non-binary artists are highly underrepresented when it comes to overall access to painting in public space. As a result of this gender inequity, not all perspectives and stories are being told in our artistic landscape. Street art is a very male-dominated culture, so PSAA has been working to create opportunities and safe spaces for female-identifying muralists to paint.

As with all Community Art Projects, these works of art will periodically rotate, to provide new and emerging female artists a chance to display their work and practice their skills. For the community, these projects provide fresh and exciting new work that people come back time and time again to see and enjoy.

MEET THE MURALISTS

SUMMER 2024

The first 2024 Ladies Up mural was painted by Seattle-based artist Stevie Shao. The mural, titled Nymph Spell, is a synthesis of Shao’s cultural symbolism and personal narrative, combining animal symbology and the inevitable turn of life’s seasons. A periodical cicada folds its wings post flight - right in front of an outdoor cat poised to strike. A traditional symbol of rebirth and summertime, the large wild insect is about to fall prey to a small domestic animal.

The second 2024 Ladies up mural was painted by Afghan-American artist Saphya Lones. Titled the The High Priestess & The Fool new mural is inspired by the traditional tarot cards, this piece represents the necessary combination of iterative play and wise intention while exploring (life, art, and otherwise). With elements such as the fig (referencing Sylvia Plath’s Bell Jar), and a hot dog (referencing nothing), the mural embodies being anti-solemn with serious intention.

SPRING 2022

The first piece along SE 15th Avenue was painted by Villatose is an interconnected wonder, with two women intertwined by hair and hands in a passionate embrace. The next work by Lynsee Sardell features a magic scene with open hands and soft colors popping atop rays of light. The third panel by Bernadette Little depicts a stunning stylized portrait in her signature style. The last mural is a beautiful tribute to a dearly departed friend, painted by Brenda DePriest.

WINTER 2021

In November of 2021, PSAA teamed up with the Independent Publishing & Resource Center (IPRC) to organize two more murals at Ladies Up by Laura Camila Medina and Angela Saenz. Laura is current working on their MFA at Yale School of Art. Angela Saenz originally from Omaha, NE creates paintings and drawings rooted in personal observation of the human experience.

SUMMER 2020

Along SE Alder Street, the original line-up of the Ladies Up murals painted during the height of the racial justice protests the Summer of 2020. Tatyana Ostepenko was born and raised in Soviet Ukraine and painted three Babushkas gazing out onto a rural Ukrainian landscape. Salomée is a bilingual designer with Algerian and Peruvian decent born in Switzerland who has went onto launch a successful mural career after painting this mural. Amaranta Colindres was born in Santa Ana El Salvador and raised in California and painted a powerful tiger using all spray paint. Isis Fisher born and raised in Hawaii painted a trippy pair of figures using only black and white. Kyra Watkins originally from Cincinnati, Ohio painted a man with a parrot on their shoulder and has went on to start a youth program mentoring foster kids in mural art. Sunny Beard is a tattooist and cancer thriver, originally from Reno, NV, who painted a detailed snake along with red carnations. Finally, N.O. Bonzo a Portland-based contemporary artist who is known for their feminine images and hard hitting political content.

WORK IN PROGRESS

“As an organization, Killian Pacific believes that fueling creative expression in our city leads to healthy vibrant communities. We strive to celebrate the arts in each of our projects and have been privileged to work with the PSAA team on many murals and installations throughout our portfolio. The “Ladies Up” mural project spearheaded by PSAA is one of our favorites to date, as we truly appreciate the intent to support local female-identifying artists in creating an all-women’s mural wall in the city of Portland. Additionally, we feel that in supporting artists during the unprecedented times we are experiencing today we are not only supporting individuals, but also providing beautiful, artistic moments of hope for everyone to enjoy. - Chelsea Rooklyn, Killian Pacific ”

INAUGURAL SPONSORS AND PARTNERS

The Central Eastside Mural District is funded, in part, by the Regional Arts & Culture Council, Prosper Portland, the Oregon Arts Commission, and the Central Eastside Industrial Council’s Central Eastside Together grant program. Additional support from Buckman Neighborhood community members; Dylan Huff and Katherine Kiely.