PSAA Projects
Sara Sjol
CULTIVATE, NARRATE, CRAFT
CULTIVATE, NARRATE, CRAFT

CITY LIGHTS & LEGENDS

A Mural Ode to Old Town

OLD TOWN, Portland, Oregon

The Chevron gas station at SW 4th and Burnside in Old Town has been transformed from drab brick to a vibrant mural collage celebrating Portland’s downtown nightlife, past and present. Muralist, Campographic, stitched together multiple murals that wrap around the entire building. Graphic elements help tie each panel together to create one cohesive piece.

The first mural is a tribute to Portland’s drag icon, Darcelle XV (Walter Cole). Darcelle was the owner of the Darcelle XV Showplace; the oldest continuously running cabaret in the U.S. Darcelle is in the Guinness World Records for being the oldest working drag queen. The venue’s ability to welcome and educate, combined with its authentic celebration of drag culture, contributed to a cultural shift in the acceptance of gay rights & drag performance across the country. Darcelle passed away in 2023 at age 92, having performed her last show just a few days before. But the show must go on! The Showplace is a protected historic site and living piece of Portland history.

The back of the building features a series of collaged murals highlighting our vibrant club scene. The first two murals are an homage to Portland’s jazz scene. The first features the musician Christian Scott aTunde Adjuah playing at The Jack London, a basement jazz club in Old Town and a dancer onstage at the beloved Portland jazz institution, Jimmy Mak’s (1996-2016). The next series of murals highlight Mary’s Club. Mary’s started as a piano bar in the 30’s and has been a strip club since 1954, making it one of the oldest in the U.S. The last panel features the Portland skyline with the sun setting behind the West Hills. The sunset afterglow fades into the green glow of the dance floor, as a record spins in the foreground. A nod to the entrance of TUBE, a popular dance club, frames the wall. 

The final section is a tribute to the legendary Satyricon, the longest running punk club in the west, often called the “CBGB of the West Coast.” Satyricon was founded by George Touhouliotis, a taxi driver who acquired Marlena's Tavern in 1983. It operated from 1984 to 2010 and was notorious for being a gritty and wild venue. Steve Carder, a regular, described Satyricon as a “judgment-free place” and “a cool family of weirdos.” Satyricon regrettably closed its doors forever in 2010 and the building was demolished a year later in 2011. 

Campographic’s incredible collage of Portland’s legendary nightlife is a tribute to our creative energies and these special places, where we come together to unwind, party, find community, and be our true ourselves.  

Mural Titles:

“That’s No Lady, That’s Darcelle!” - Darcelle Mural
“Happy Hour,” “Mak & Jack” - Jimmy Mak’s and Jack London Jazz Clubs
“Heavy Glow,” “At The Rack,” “TIP$$$” - Mary’s Club Murals
 “Good Times Portland” - Portland Dance Club and TUBE  Murals 
“Madness & Glory” - Satyricon Mural

ARTIST STATEMENT

“For my debut commission from PSAA, I wanted to highlight Portland’s nightlife culture in a series of murals for Chevron. There is a lot of history here, with some venues still in operation all this time and others that have shuttered for good. In an ever changing city, I felt it was important to recognize some of the unique scenes that have put Portland on the map and to pay tribute to those no longer here. The project has a slight “Choose Your Own Adventure” feel to it with an aesthetic nodding to the torn up and layered posters advertising events around town. This coupled with layered colors and textures creates an atmosphere of expressive energy as you make your way around the walls. The color palette was intended to embody heavy contrast, dark tones and bright colors to pop under the awning lights of the station at night where the images come alive.” – Campographic

FULL MURAL Video

MEDIA COVERAGE

ADDITIONAL PHOTOS

SMALL DEEDS, BIG IMPACT

It can’t rain all the time

Portland, Oregon

A large new mural graces the back of the Broadway Grill & Brewery in NE Portland’s Sullivan’s Gulch neighborhood. Titled It Can't Rain All The Time, this narrative work springs from the beautiful mind of comic book author and muralist, Damon Smyth. Native to the Portland area, Damon wanted to create a mural for all Portlanders. With this wall, Damon chose to tell a touching story about the marginalized members of our community and how tiny acts of kindness can make all the difference.

“When PSAA asked if I would be interested in working with them to create a mural on the back of Broadway Grill & Brewery for the community, I was very excited,” says Smyth. “The opportunity to have full creative control when designing a mural doesn't happen often, so I wanted to take the chance to create something meaningful that would make people think. There is an overwhelming amount of negativity everywhere these days, so I wanted to combat that with something positive for anyone who might need it. I believe empathy is one of, if not our greatest attributes, but sadly kindness doesn't trend as easily. This was my opportunity to put kindness front and center.” 

As part of his design process Damon Smyth took an empathetic approach to creating his mural. Throughout the design drafts, Smyth tried to put himself in other people’s shoes and asked himself tough questions. Have you ever been surrounded by people but never felt more alone? Have you ever worked tirelessly for so long with no positive results that you just wanted to give up? What if, at that time, a stranger showed you compassion and helped you through it, do you think your path would change? 

Backed by his extensive experience creating graphic novels, Damon aimed to tell a story that would resonate with people of all backgrounds and inspire our community to be kind to one another. He opted to use spray paint for this project because of the energy and texture that it provides, as well as a way to challenge himself. The colors in the mural are trauma-informed and meant to be calming to the viewer. Smyth limited his palette to give the mural a more comic book feel and to keep the tone consistent. 

During the creation of It Can't Rain All The Time, many community members (housed and unhoused) spoke with Damon about the work-in-progress – some of them even getting emotional. Creating this mural gave Damon the chance to connect with the community and see firsthand the effects of putting a positive message in a public space.

“One day, while I was setting up, I had a community member approach me with tear-filled eyes saying the main character looked just like someone they had known and how happy they were for this mural being created. These touching moments are exactly what this mural was intended for and the reason why I create the work I do. I will always fight for kindness and empathy in our community.” – Damon Smyth, Muralist  

PUBLIC MURAL UNVEILING

It Can’t Rain All The Time Mural Unveiling, 2024.

A public unveiling of the mural was held in February 2024. Hosted by the Lloyd EcoDistrict and Northeast Broadway Business Association, the unveiling event helped kick off the Lloyd Light It Up dance party and bike ride, which is part of the Portland Winter Light Festival. The mural will is permanently fully illuminated for all to see and day and night.

COMMUNITY SUPPORT 

This mural was organized by the Portland Street Art Alliance (PSAA). It was funded thanks to a large team of supporters: the owner of Broadway Grill & Brewery, a donation from NE Broadway Business Association (NEBBA), and grants from METRO and the City of Portland’s Public Environment Management Office (PEMO).

“The Public Environment Management Office is proud of the stunning new mural on NE Broadway, an exciting addition to the neighborhood. The project was made possible through collaboration with neighborhood groups, the Portland Street Art Alliance, and artist Damon Smyth. PEMO greatly appreciates PSAA’s expertise in creating memorable art for our urban environment and looks forward to continuing the collaboration on future projects.” – Elizabeth O’Malley, City of Portland

“This beautiful, bright mural by local artist Damon Smyth exemplifies the hope we all share for the future of the Northeast Broadway Business District. The mural’s message of community and kindness reminds us of our role in improving Portland’s urban neighborhoods through simple acts of compassion toward others. The mural beautifies a vacant lot in the heart of our busy business district, creating the perfect spot to host community events, such as festivals, farmer’s markets, and local craft fairs. The Northeast Broadway Business Association is excited to celebrate with Portlanders beneath this magnificent mural in 2024.”  – Sarah Drescher, NEBBA President

"As a native Portlander, I'm honored to be able to support local artists who are lifting up the community through their work. My hope is that this mural brings not only beauty to the neighborhood, but also a sense of camaraderie to the business district. We're looking forward to more events in our shared space that bring everyone together. Thanks to PSAA for their hard work that secured the majority of the funding for this project and other murals that can be seen throughout our city. These community efforts exhibit the best that Portland has to offer – great food, great art, and great people." – Shelly Bigley, Owner, Broadway Grill & Brewery

ADDITIONAL PHOTOS

PILLARS OF PORTLAND

Celebrating the Viaduct Arts

CENTRAL EASTSIDE MURAL DISTRICT

 In the fall of 2023, PSAA launched the Viaduct Arts Column Mural Initiative in the Central Eastside. PSAA hired local Portland muralist Hayden Senter to design and paint four inaugural viaduct column murals honoring uniquely Portland institutions at SE Madison & Water Avenue, under the Hawthorne Bridge. The first two columns are the highlight of phase 1 of the Viaduct Arts Column Mural Initiative and pay homage to Portland’s original art columns, the 1940’s era Lovejoy Columns by Tom Stefopoulos. 

The third art column celebrates Portland Rose Festival Foundation’s renowned dragon boat races. The final column shares the story of Ground Score Association, Portland’s democratic worker association of dumpster divers, canners, and waste pickers. 

With grant support from Travel Portland and a donation from NorthRim, PSAA kicked off the Viaduct Arts Column Mural Initiative with coordination and support from project partners: the Regional Arts & Culture Council (RACC), the Central Eastside Industrial Council (CEIC), and Multnomah County’s Transportation Bridge Division.

THE LOVEJOY COLUMNS

REVIVING A PIECE OF PORTLAND’S PUBLIC ART HISTORY

The first pair of new column murals pay homage to Portland’s historic and lost Lovejoy Columns. Almost a century after the Lovejoy Columns were created, and nearly 25 years after they were lost, a new generation has lovingly recreated these titans of Portland’s art history so they can, once again, stand as touchstones to Portland's shared cultural heritage.

The original Lovejoy Columns were located in NW Portland, along Lovejoy St. (under the old Broadway Bridge ramp) and were painted between 1948-52 by Greek immigrant and master penman, Athanasios “Tom” Efthimiou Stefopoulos. Even though he was a professionally trained and talented artist, Stefopoulos was not able to fully pursue his dream of being an artist after coming to the US, only working sporadically teaching penmanship and painting signs for clients. . Instead, he  ended up working most of his life as a watchman in the northwest Portland rail yards for the SP&S Railroad Company.

During idle times working as a watchman in the train yards, Stefopoulos climbed atop the boxcars and painted the columns of the overpass with whimsical images of doves, owls, lions, anthropomorphic trees, mythical gods, and Americana. Although this was technically illegal graffiti (the word “graffiti” had yet to enter the popular lexicon, but it was surely in use in the urban environment), Stefopoulos’ art was appreciated and allowed to remain for decades. To Stefopoulos, these columns must have been an attempt to bring a little bit of his homeland and culture into this foreign land. Stefopoulos was fondly remembered as a quiet and kind man, who frequented the local Greek grocery store on Couch St and the Tacoma Tavern, above which  he lived in a small room. Stefopoulos lived a long life, passing away at the age of 89 in 1971.

Some of the Lovejoy Column art was lost throughout the decades, but much of the imagery was surprisingly preserved for over 50 years because it was naturally protected from the elements by the massive overpass. The Lovejoy Columns became an iconic part of Portland’s landscape, a “gritty temple of industry” and a real thrill to find for the adventurous urban flâneur. They were famously immortalized in Gus Van Sant’s movie, Drugstore Cowboy and Elliott Smith’s music video, Lucky Three. 

In 1999, when urban redevelopment began to sweep through the area, the 40-acre rail yard and Lovejoy overpass were set to be demolished. Many Portland politicians of the time agreed that these columns were an important cultural and historical asset, but the proper resources were never dedicated to ensure their preservation. RACC was encouraged to add the columns to the city’s official public art inventory. But all efforts failed and most of the columns were lost.

Thanks to extensive lobbying by Rigga, a group of insurgent Portland architects and artists (led by public installation artist James Harrison), ten of the painted columns were cut down and saved. This was a huge and expensive undertaking. Two of the best columns were later re-incorporated into the Elizabeth Loft Courtyard (NW 10th Ave between Everett & Flanders). The designs seen on the columns in the courtyard are just reproductions of the original art sealed away underneath glass. Sadly, these two columns have never been fully restored, even though extensive archaeological documentation was done on the column artwork before they came down. The other 8 original remaining columns lay in ruins and rubble in an abandoned lot near Naito Parkway. The Friends of Lovejoy Columns tried for years to protect the delicate paintings on these 8 columns, but in the end, lack of security and the northwest weather washed away the images.

The Hellenic-American Cultural Center and Museum in Portland hosts an amazing virtual collection; the “Master Penworks of Tom Stefopoulos: Hellenic Artist of the Lovejoy Columns” on their website. You can also listen to a podcast episode the museum created about Stefopoulos here.

Rankin “Vanessa” Renwick documented much of this perilous story in their work-in-progress documentary film “LoveJoy.” The Friends of Lovejoy Columns dreamed of erecting a gravestone for Stefopoulos, who is buried in an unmarked grave in Rose City Cemetery. His story is emblematic of many immigrants who struggled to find their way in Portland. His legacy lives on in the hearts and minds of many Portlanders who appreciate these small, yet powerful pieces of original insurgent public art.

To develop the new homage column mural designs, PSAA searched Oregon Historical Society and the Hellenic-American Cultural Center & Museum archives to gather inspiration. Muralist Hayden Senter developed beautiful collages that incorporated Stefopoulos’ paint marker (aka streaker) imagery from the original columns, inspirational quotes from Stefopoulos, and a portrait of Stefopoulos in his rail yard uniform, standing atop a boxcar amongst wildflowers. Also incorporated into the new mural designs are images of a Great Northern Spokane, Portland, Seattle boxcar from that time period, old Miller Paint cans, railroad nails, weathered wood, and a vintage stop sign.

““Travel Portland is proud to support the Portland Street Art Alliance with a Visitor Experience Enhancement Grant to complete vibrant murals celebrating the city’s artistic legacy. These grants are designed to bring innovative projects to life, enriching the visitor experience and solidifying Portland’s position as a top destination for leisure and business travelers. The Portland Street Art Alliance has been instrumental in placing Portland at the forefront of the arts and culture scene, making it a sought-after destination for those seeking a unique and inspiring experience.” ”
— Jennifer Parks, Travel Portland, Senior Community Engagement Manager 

HIGHLIGHTING THE WORK OF OTHER NONPROFITS

The other two columns celebrate fellow local non-profit organizations; Ground Score Association (GSA) and Portland Rose Festival Foundation. With this project, PSAA continued its ongoing partnership with GSA, a democratic workers association of dumpster divers, canners and other waste pickers. The organization creates and fills low barrier jobs in the waste and recycling sector, prioritizing opportunities for folks facing job and housing insecurity. 

PSAA muralist Hayden Senter works with Ground Score's Derrick Tanner on one of the murals.

GROUND SCORE ASSOCIATION

PSAA and Hayden Senter worked with GSA to include several of their workers in the design development process. PSAA hosted a design brainstorming session, providing GSA workers prompts to draw from and share ideas around (along with pizza and beverages). The imagery arises from, and speaks to, the communities they work with. GSA representatives provided the muralist feedback on the designs until everyone was satisfied with the final composition. GSA workers then helped the muralist paint their column mural using a paint-by-number system. This was a proud and fulfilling moment for all involved. PSAA provided the supplies and paid the workers for their time.

This column mural helps further PSAA’s mission to create relevant murals designed and painted by the communities we serve and expand upon our work highlighting the lives of people living with housing insecurities in our community. 

PORTLAND ROSE FESTIVAL’S DRAGON BOATS

The final column in this series is a tribute to Portland’s famous Dragon Boats and was sponsored by neighboring business owner, NorthRim, a longtime supporter of the work PSAA does in the community. Since 1989, Portland Rose Festival Foundation’s Dragon Boat Races have brought together local, national, and international rowers to compete in the Chinese tradition of dragon boat racing. The races are held on the Willamette River near the Hawthorne Bridge and the new Dragon Boat column mural.

““Painting these four columns in the Central Eastside was a special opportunity for me to be involved directly with the past and present of Portland. Being able to paint a tribute to a muralist whose work was influential to the growth of the local arts community, gave me insight to what Portland was and can be. Having the team at Ground Score collaborate in the process of designing and painting was essential to the social honesty of their mural. Their deep connection with the Central Eastside and eagerness to be a part of it, really helped inspire me to express an actual depiction of the environment. I hope these murals will serve as a hopeful reflection to the houseless communities living in the Central Eastside. I think when people see objects they interact with every day, painted large and with intent, it can bring a deeper sense of connection to their environment and communities.””
— Hayden Senter, Muralist

Major funding support for this project came from Travel Portland’s Visitor Experience Enhancement Grant program. These grants are designed to fund projects that enhance the visitor experience in Portland in alignment with Travel Portland’s strategic priorities and build on the region’s unique strengths, contributing to establishing the region as a preferred destination for leisure travel, meetings and conventions.

UP NEXT IN 2024

This first phase of PSAA’s new Viaduct Arts Column Initiative  was funded with a grant from Travel Portland with additional sponsorship and partner support from Miller Paint, NorthRim, Ground Score Association, Star Rentals, RACC, CEIC, and Multnomah County Bridge Transportation Division. 

Phase II of the Viaduct Arts Column Mural Initiative is scheduled for summer 2024 and will feature at least five more columns honoring the spirit of the Central Eastside, Portland, and the Pacific Northwest. 

Business and community members are invited to donate to sponsor more column murals and help support the arts - be a pillar of the community! Please email PSAA at info@pdxstreetart.org for more information about how to sponsor a future column mural.

IN THE MEDIA

 

PROJECT SPONSORS AND PARTNERS

RADIANCE

Portland’s Neon Legacy Lights Up Downtown

PORTLAND, OREGON

A new expansive mural evoking everything Portland now shines bright along Ankeny at the corner of SW 4th and SW Ankeny, on the exterior of the U.S. Bancorp Tower (a.k.a. “Big Pink”) parking garage in downtown. The 120’ long mural, titled Radiance, is the vision of the muralist dream team KSRA and They Drift. The artist duo recently relocated to Portland from Seattle and were excited for the chance to paint this statement piece in their new hometown.

Drawing inspiration from local commercial and public art, Radiance features neon signs from quintessential neighborhood locales interspersed with iconic Portland statuary. The neon signs were painted by artist KSRA, who along with being a talented muralist, creates miniature neon signs in a mixed media diorama-style both as a gallery artist, and in her day job at Laika Studios. The statuary was masterfully recreated by muralist and abstract portrait artist, They Drift (a.k.a. Carlos Aguilar).

“When Unico Properties and PSAA approached us to represent Portland’s historical neon and sculpture landmarks at Big Pink, we were thrilled. It’s been an honor to celebrate the craftsmanship of the artists that created these works.”  – KSRA & They Drift

The first piece of neon in Radiance honors Portland’s 3rd oldest continuously operated bar, the nearby watering hole, Kelly’s Olympian (426 SW Washington), which has been serving Portlander’s since 1902. Overlapping the Kelly’s Olympian sign is the head of one of the dragon statues that grace the Chinatown Gateway, entrance to Old Town/Chinatown, located just across Burnside nearby. Behind the dragon statue is the now retired Made in Oregon neon sign that graced the west end of the Burnside Bridge from 1997 to 2010.

The next piece of public art featured is the Skidmore Fountain, a National Historic Landmark located two blocks to the south of Big Pink. The Skidmore Fountain was designed by sculptor Olin Levi Warner and dedicated in 1888. Wrapping around the massive wall is the iconic neon sign from another Big Pink neighbor, the Portland Outdoor Store (304 SW 3rd), which recently celebrated its 100th year in business in downtown Portland. The Portland Outdoor Store's bold “Portland” neon awning has welcomed visitors since the 1940s.

On the right side of the mural, the new rose neon from neighboring Waterfront Park shines bright; a beacon of the “Rose City.” Anchoring the right section of the mural is Raymond Kaskey’s instantly recognizable Portlandia statue (circa 1985). Behind Portlandia, the legendary Voodoo Donuts sign glows brightly. Voodoo’s iconic neon sign can be seen across the street from the new mural.  

The final neon sign featured in the mural is the beloved Palms Motor Hotel sign (3801 N Interstate), a building which is now being used as a homeless shelter. At a towering 50’ high, the Palms Motor Hotel is arguably Portland's most recognizable neon sign masterpieces, with its tropical flare, monkeys, coconuts, and flashy mid-century feel. Strict sign codes enforced by the city, high maintenance costs and a steady decline in ‘mom and pop’ shops have sadly drastically reduced the number of neon signs over the past 50 years, but somehow, this iconic neon from the 1950s has survived intact, for now.

This mural is part of a collective effort to revitalize and expand Ankeny Alley in downtown.

“Since the pandemic, this area of downtown has really suffered. Over the last year we, alongside our neighbors, we collaborated with the City of Portland to make Ankeny Triangle a beautiful, walkable, must-see destination for locals and visitors alike. This mural is one of the many actions we have taken to help revitalize Portland – we are doing our part to bring Ankeny Triangle into the next phase of vitality with this beautiful and highly engaging piece of art. The wall, along the parking garage across from U.S. Bancorp Tower serves as a perfect canvas for this quintessentially Portland and vibrant, cultural expression of joy.” - Keren Eichen, Unico Properties Director of Real Estate Services

"The public-private partnership that painted roses and rainbows and lit street trees along Ankeny exemplifies Portland's resilience. Showcasing the city's vitality, this vibrant new mural features Portland's iconic landmarks." – Anne Hill, City of Portland’s Portland Environment Management Office

Muralist They Drift speaking at the mural unveiling event, hosted by Unico Properties and the City of Portland

Radiance was unveiled on December 11th 2023, with KSRA & They Drift in attendance, along with fellow artist Fez BeGaetz, whose spiraling neon flower sculpture, called “Helianthus Enorme,” is perfectly positioned next to the mural at the entrance to Ankeny Alley.

ADDITIONAL IMAGES + VIDEO

ART MEETS HERITAGE

Golden Horse Mural Celebrates Chinatown’s Legacy

Chinatown, Portland

Over the years, the number of Chinese-owned businesses have dwindled drastically in Portland's Old Town Chinatown. PSAA teamed up with muralist Alex Chiu and the City of Portland to celebrate the historic Golden Horse Seafood Restaurant on NW 4th Avenue.

Golden Horse is one of the only Chinese restaurants left standing in Portland’s Chinatown. It’s also one of the oldest restaurants in the area, and is a significant part of Portland's history.

“I’m so proud to have had the opportunity to paint for the Golden Horse Seafood Restaurant. It is my favorite Chinese restaurant in all of Portland. I recommend the Peking Pork, Honey Walnut Shrimp, and Japanese Style Egg Tofu. They make an incredible Chicken Sticky Rice, that can only be ordered specially in advance. It’s important for this restaurant to survive and thrive in the area. Please go support them! Thank you Sophy Li, your husband, and staff who were all so kind and supportive. Thank you for letting me paint your walls.” – Alex Chiu

For the mural’s background, Chiu created a basic wallpaper pattern that can either be interpreted as plum blossoms, popular in Chinese design or cherry blossoms, which are a visual symbol of the nearby Portland waterfront. The golden pegasus painted near the entrance is the restaurant’s logo.

The golden dragon is a symbol of Chiu’s personal journey as an artist. When he was an aspiring artist, Alex would visit San Francisco and see large murals of Chinese dragons painted on Chinatown walls. Since then It has been a goal of his to paint one of these dragons.

“I wanted this Golden Dragon to be the best Chinese dragon painting in Portland; something that would make Portland’s Chinatown proud. 2024 is the Year of the Dragon. I’m excited to have painted this mural in time for the new year!”  – Alex Chiu

IN THE MEDIA

 

THE ART OF STORYTELLING

Artists Transform NEW Library Operations Center IN EAST PORTLAND

Portland, Oregon

Maker’s Mark I+II, by David Rice

In 2023, PSAA was commissioned by Multnomah County Library to help them create artwork for their new Operations Center in East Portland. PSAA worked closely with Hennebery Eddy Architects and Fortis Construction for over a year to make this project happen. A stunningly talented group of Pacific Northwest artists were selected by the library to create a unique collection of murals installed throughout the building. Panels were provided to each artist, and they painted their murals in their studios.

Jesslilyn Brinkerhoff

Cherish and Respect by Jessllyn Brinkerhoff

Oregon muralist and musician Jessilyn Brinkerhoff’s mural combines the natural wonders of Oregon forests to share a visually captivating story told through a series of concentric circles and small worlds to get lost in.

“This composition features cherished species from Northwest ecosystems. Depicted are a polyphemus moth, cedars, maples, dogwoods, fir cone, trout, salmon, cedar waxwing, cedar hairstreak butterfly, white oak, Mt. Hood, and views of the landscapes they reside in.” – Jessilyn Brinkerhoff

KYLER MARTZ

Between Pages and Petals by Kyler Martz

Titled Between Pages and Petals, this mural showcases Kyler’s vintage illustration style and ornate line work. He created an intricate composition that looks like it could grace the walls of a palace or the pages of a book.

“Weekly trips to the library as a kid were how I discovered art and built the worlds I still escape into today as an artist. I’m still inspired by the beauty that lies between the covers of books, and the places that house them.” – Kyler Martz

DAVID RICE

Maker’s Mark I by David Rice

Muralist David Rice was commissioned to create two large mural installations for the Operations Center’s 2nd floor, a beautiful open area to greet visitors and for employees to mingle.

David’s masterfully rendered hyper-realistic still life subjects, combined with his warm and vibrant palettes, give the artwork and space an elevated yet welcoming feel. You can certainly get lost in the wonderful details of these pieces. Titled Makers Mark 1 + 2, these companion pieces feature tools used by the artists that make up Portland's creative scene.

Maker’s Mark II by David Rice

“From writers to photographers, to painters and chefs, Portland is saturated with talented and creative individuals. This piece pays homage to our community of artists and the tools of their trade.” – David Rice

BLAINE FONTANA

Anthrohedrondermy by Blaine Fontana

Veteran Pacific Northwest muralist Blaine Fontana’s piece is titled Anthrohedrondermy, and creates an interconnected visual story weaving together flora, fauna, and our natural surroundings.

“My vision harmonizes ecospheres. Combining bold graphic narrative elements juxtaposed with a revealing painterly process is continually my passion and challenge. This artwork bridges flora and fauna, ancestral stories in stars, our connective linear river flow of time, and NW plants. My inspiration was to invoke an experience of humility and selfless respect inside our natural world.” – Blaine Fontana

NICKY KRIARA

Woodland Passages by Nicky Kriara

Woodland Passages was PSAA’s first opportunity to commission Portland artist Nicky Kriara. She delivered a wonderfully interwoven piece that highlights her graphic and illustrative line art style.

“Inspired by the biophilia of the Pacific Northwest, Woodland Passages celebrates the synergy of nature while drawing parallels to the world of books and knowledge distribution. I focused on the interplay of pollinators, seeds, and nectar within a forest. Among a backdrop of pine trees, the foreground consists of magnified imagery, including milk thistle seeds, a vibrant hummingbird, a columbine flower, pinecones, maple leaves, a ‘helicopter’ seedling, a microscopic view of plant cells, salmonberries, chanterelle mushrooms, a trillium, a thistle flower, and an intricate close-up of a Monarch butterfly wing. Each element symbolizes the art of observation and the cultivation of wisdom. The white line winding through the painting represents the fructifying wind, serving as a guiding path for alchemical transformations, similar to how libraries nurture an environment where ideas flourish and take shape.” – Nicky Kriara

Christian Tellez

Photo and Thesis, by Christian Tellez

Architect and Muralist Christian Tellez’ piece features close-up illustrations of carefully observed parts of nature in a patchwork pattern. The piece is titled Photo and Thesis, meaning watch and learn. With this mural, Christian is reminding the viewer to observe the natural world around them and to listen to its message.

“As light is converted into energy around us, we should always learn from nature and power society, transforming knowledge and kindness into hope and progress. Listen to nature, listen to the wise, feel the colors, feel the life, and seek the light.” – Christian Tellez

Washington-based Artist & Storyteller Toma Villa painted a mural entitled, Elk and Sturgeon. The mural design is based on a story told by people who come from the Nchí Wána (Columbia) River. 

“Elk wanders and wanders the land and keeps on returning to the big river. He looks across it and wonders what’s on the other side. He looks down at the water and sees so many salmon that he thinks he can walk across on their backs, but every time he tries, he slips and falls. Sturgeon is watching and asks what he’s doing. Elk replies that he wants to cross the river. Sturgeon replies, “I can get you across the river, but you have to give me something. You have to give me a piece of yourself.”  So Elk gives Sturgeon a piece of his own meat and Sturgeon carries it in his mouth. Elk climbs onto Sturgeon’s back and is able to stand without falling on Sturgeon’s rough skin. As Sturgeon swims across the river, the meat in his mouth becomes his cheeks. With their partnership, Sturgeon carries Elk to the opposite side of the river and the strength of Elk’s meat in his cheeks allows Sturgeon to eat whatever he wants.” - Toma Villa

UNVEILING EVENT

In January 2024, an unveiling event was hosted by the library to provide an opportunity for the project teams and public to see the new Operations Center building and mural artwork.

Artist Christian Tellez in front of his mural panel at the unveiling event hosted by the library.

NATURE'S PALETTE

Mural Blooms at Lewelling Elementary

MilwaukIe, OREGON

Over the summer of 2023, Seth Lewelling Elementary School in Milwaukie, Oregon went into full bloom thanks to muralist Emma Berger! Through the month of August, Emma tackled a nearly 3,000 square foot wall, transforming the school’s exterior gym wall into a flowering paradise.

The mural includes the school’s small pond and its resident ducks. There are all sorts of animal life to find while exploring the piece, including lizards, birds, snails, and mason bees that were included to honor principal Mason Branstetter.

The new mural has been a dream project for the Lewelling Parent Teacher Organization (PTO). After 7 years of bake sales and fundraisers, the PTO was able to raise enough funds to support a mural at the school. Lewelling’s mural selection committee wanted to create a piece of community art with vibrant colors, and a project that would also allow for students to participate in the design development.

ABOUT THE ARTIST

Emma Berger (Flat Rabbit Studio) is a muralist, illustrator and tattoo artist based in Portland, Oregon. With training at Pratt Institute in NY and experience with set design and painting, Emma’s soft botanicals and boundless imagination made her the perfect fit for this massive mural job.

ADDITIONAL PHOTOS

Photography by Sara Sjol for Portland Street Art Alliance

HONORING A TRAILBLAZER

Portland Timbers Celebrate Clyde Best with Powerful Mural

Portland, OREGON

Clyde Best and Artist Kyra Watkins in front of the new mural at Providence Park in Portland.

On September 22, 2023, a new mural honoring Clyde Best was unveiled at Providence Park. Best played for the Timbers in their first iteration in the 1970’s and traveled to Portland to be honored by the Portland Timbers. As part of the ceremonies the Timbers reached out to PSAA to help them create a mural in the stadium to honor Best and his legacy.

Former college athlete and Portland artist, Kyra Watikins, was the perfect fit for this project. As a muralist, Kyra is best known for her striking portraits. Kyra adeptly captured Best’s image; creating a prominent new mural to help honor and tell his inspiring story.

Before coming to Portland, Best was one of the first Black athletes to play in the first division of English Premier League when he was recruited from Bermuda in 1968 at age 17. An inspiration for generations of Black athletes, Best helped shape the future of soccer worldwide.

ABOUT THE ARTIST

Kyra Watkins apprenticed at age 15 with ArtWorks Cincinnati before attending the University of Cincinnati to study figurative art and portraiture. Since coming to Portland, she has worked with PSAA and is known for her work with "Never Look Away," a mural celebrating the LGBTQ+ community as well as having her work in the Black Lives Matter Artist Grant Exhibition at the Jordan Schnitzer Museum of Art at PSU. Most recently, Watkins was selected by PSU and the Jason Erik Washington Art Committee as an artist-in-residence to create an remembrance of Washington at PSU's Smith Memorial Student Union.

ADDITIONAL PHOTOS

Photography by Sara Sjol for Portland Street Art Alliance

REST EAST RABBITT

Mural Tribute to Portland’s Bike & Rail Legend

Portland, OREGON

PSAA and Pedalpalooza teamed up to create a mural to honor Portland icon and dearly departed friend, Rabbitt. Located at NE Broadway & 24th (on the side of Broadway Vet), the mural was designed and painted by local artist and friend of Rabbitt, Hayden Senter. 

Hayden worked closely with some of Rabbitt’s close friends for input on the mural. The result is a stunning collage of Rabbitt’s favorite things; trains, bikes, wildflowers, Markal grease markers, and more. The background even includes some of Rabbitt’s geometric artwork. 

Hayden’s style was the perfect fit for this tribute as he and Rabbitt shared the many of the same loves, namely trains and nature, that Hayden often incorporates into his works. Hayden did a phenomenal job not only capturing Rabbitt’s favorite things, but also his likeness as well. This was one of Hayden’s first mural portraits and he captured Rabbitt’s essence beautifully. 

This is a completely community-driven and supported project, with financial support coming from a contribution from the property owners and numerous donations from the community.

ABOUT RABBITT

Described by Bike Portland as a “giant of Portland’s bike scene” Rabbitt was a pioneer in Portland bike culture (Zoo Bomb, Chariot Wars, Pedalpalooza, Dead Baby bikes, etc.). Rabbitt was a fearless, skilled rider. He could be seen flying effortlessly through the city, like a bird perched atop his tall bike. Rabbitt helped make “Portland Weird.” Rabbitt was a lifelong rail rider. He had the wildest tails from his adventures. Sometimes he would still rail ride and hop trains. His classic rabbit ear moniker graced many locomotives. He was an excellent photographer, especially of train engines. Rabbitt loved cruising his motorcycle along the tracks, camping, being in nature, collecting flowers for friends, and excavating marbles from a rail spill.

Rabbitt started working with PSAA in 2018. In desperate need of a quick hired hand to help prep walls at Taylor Electric, he spent two blazing hot weeks removing soot, peeling paint, and laying down the base coat. He slept in his truck, starting early to beat the heat. Rabbitt proudly claimed he had the largest piece at PSAA’s now iconic Taylor Electric Project site (a.k.a. Nova at the Electric Blocks). He also painted a beautiful garage pillar. Rabbitt hung around, got to know the artists, and was on the Taylor Electric Block Party’s security team, hosting over 2500 event attendees in one evening. Even at the most stressful times, he would crack the best jokes. He would say, “It’s coming together like buttcheeks kids!” And it certainly was.

Rabbitt also painted existing murals, a doorway at the Oak St Studios Building (SE 2nd & Oak) and doorways at Solterra’s Construction Office (NE Alberta & 14th). He’d bring artists red clown noses to wear. Any paint we didn’t need, PSAA donated to Rabbitt. He was always eager to help. He was excited and proud to be a part of the street art community.

Rabbitt meant a lot to so many communities. He appeared to some as tough on the outside, but on the inside, was the gentlest soul. Rabbitt dove into life headfirst, wild, free, seemingly without fear. He lived an adventurous life, one most of us will only dream of. A one of a kind. A clown. A biker. A motorcycle adventurer. A rail hopper. A carpenter. An artist. A genuine soul. His legacy will continue to inspire and shine on.

Rest Easy Rabbitt.

ABOUT THE ARTIST

Hayden Senter (a.k.a. Chairboy) was born in 1991 in San Jose, CA and is now based in Portland. His techniques primarily consist of painting, drawing, printmaking and murals. Using a combination of muted and pastel color palettes, Hayden’s work evoke a feeling of separation. He collects imagery from daily walks, overgrown weeds in alleys, and abandonment.

MEMORIAL BIKE RIDE & Mural Unveiling

Honoring Rabbitt at the unveiling.

On August 30, 2023, PSAA and Pedalpalooza co-hosted a memorial bike ride for Rabbitt that weaved through Portland and visited Rabbitt’s murals before working its way up to the mural. The mural was officially unveiled with speeches by Meghan Sinnott of Pedalpalooza, Tiffany Conklin of Portland Street Art Alliance, and muralist Hayden Senter.

This project is part of PSAA’s Community Art Program. Special thanks to the building owners and Broadway Veterinary Clinic for providing access to the wall, help with logistics, and for providing a donation to PSAA to get the mural started. And a huge thank you to all the individuals and friends of Rabbitt who donated through the GoFundMe campaign to get this mural across the finish line. PSAA would also like to thank the local businesses who pitched in by providing us their paid parking space access and discounts for the mural unveiling. And finally, to Metro for their grant support and Miller Paint for their sponsorship support. It takes a village.  

This was truly a Community Art Project in every sense of the word. The Portland community came together beautifully to honor one of their own.

ADDITIONAL PHOTOS

Photography by Sara Sjol for Portland Street Art Alliance

 

PHOTOS OF RABBITT SUBMITTED BY THE COMMUNITY

Special thanks to Rabbitt’s friends who submitted so many amazing photos of him to be used for inspiration in the mural and included in this community image archive (Tiphani, Meghan Sinnott, Meg Holland, Cloe Ashton, Tim Trautmann).

PROJECT SPONSORS

OREGON WILD

Celebrating 50 years of the endangered species act

Portland, OREGON

Natures Kaleidoscope by Jeremy Nichols.

A new mural titled Nature's Kaleidoscope was recently unveiled in Portland, Oregon’s historic Pearl District. The mural features imperiled species of the Pacific Northwest to celebrate the 50th anniversary of the Endangered Species Act (ESA). This bedrock environmental law has prevented the extinction of 99% of listed species. Oregon Wild and Portland Street Art Alliance teamed up to create this stunning mural.

“The Endangered Species Act protects creatures great and small. While it’s true iconic species like the humpback whale, peregrine falcon, and bald eagle have been brought back from the brink of extinction, many smaller or lesser-known species benefit too. When we safeguard biodiversity as a whole we invest in our future, as human health is directly connected to the health of the environment around us.” – Alijana Fisher, Wildlife and Equity, Diversity, and Inclusion Associate for Oregon Wild.

The mural was designed and painted by local artist Jeremy Nichols. It features the gray wolf, northern spotted owl, coho salmon, western painted turtle, monarch butterfly, Oregon silverspot butterfly, Gentner's fritillary, rough popcorn flower, and Howell's spectacular thelypody.

“We are honored to have the opportunity to work with Oregon Wild, Killian Pacific, and local artist Jeremy Nichols on this mural. This new piece of public art honors the tapestry of life that thrives in the wilds of the Pacific Northwest. We are proud to call Oregon home, and want to help conserve and protect our unique biodiversity for generations to come.” – Tiffany Conklin, Executive Director, Portland Street Art Alliance

ABOUT THE ARTIST

Jeremy Nichols was born in Japan in 1982. He grew up in Columbus,Ohio where he graduated from OSU with a BFA in primtmaking. He is currently working out of Portland, Oregon.

His work tends to focus on the energy, movement, balance, and harmony of the chaos around us. From urban growth and development, to the forward push to preserve the nature around us. He tries to visually show a juxtaposition of these opposing forces by layering elements of graphic design and nature, in order to create an environment that seems familiar, yet unfamiliar. He wants the viewer to take their own visual journey through the details and to question and appreciate the environment that surrounds them.

Artist Jeremy Nichols working on the new mural Nature’s Kaleidoscope in NW Portland.

Mural Unveling

Left to Right: Congresswoman Suzanne Bonamici, Artist Jeremy Nichols Grand Ronde Tribal Council Member Kathleen George, Metro Council President Lynn Peterson, and Alijana Fisher Wildlife and Equity Diversity and Inclusion Associate for Oregon Wild.

A public unveiling ceremony and press conference took place on Thursday August 3 2023. Keynote speakers included Congresswoman Suzanne Bonamici Grand Ronde Tribal Council Member Kathleen George and Metro Council President Lynn Peterson.

"The Endangered Species Act has been very successful. I want to celebrate the first 50 years, but not give up on the fight to continue it and protect it. We do not need to limit our ambition to minimizing losses, we can aspire to a future and an America that is more beautiful and cleaner, and safer than it is today." – Suzanne Bonamici, Congresswoman

""How we value and live with any other creature is based on how we see that being. Our elders tell us that as modern tribal members, we always have to remember that we walk in two worlds. I think that they’re right and that these two different worlds can speak directly to why we have endangered species and why we so need the Endangered Species Act." – Kathleen George, Grand Ronde Tribal Councilwoman

"The Oregon Zoo for the past 25 years has teamed up with agencies and tribes, non-profits in our community to restore wildlife here in the PNW. Together we have prevented the extinction of the Oregon silverspot butterfly, that Jeremy depicted so beautifully, tripled the range of the northwestern pond turtle in Washington state, and were the first in the world to breed the pygmy rabbits from extinction. These things aren't easy, that’s why we’ve teamed up." – Lynn Peterson Metro Council President

ADDITIONAL PHOTOS

Photography: Sara Sjol for Portland Street Art Alliance

SUPPORT WORKING ARTISTS

RECOGNIZING THE WORKING ARTISTs OF THE CENTRAL EASTSIDE AND BEYOND

Portland, OREGON

Support Working Artists, by ERAS and Never Satisfied.

Portland’s Central Eastside Industrial District has a mural championing working artists near and far. Known as a creative hub, the Central Eastside plays host to Portland’s hard-working visual artists, makers, musicians, photographers, craftspeople, chefs and more. Amidst the challenges that face Portland today, artists remind us of the beauty and passion that continue to make this city a great place to live.

For many years, Portland Street Art Alliance (PSAA) has wanted to celebrate the artists that make the Central Eastside such a vibrant and exciting place to be. In 2023, PSAA secured a grant from Travel Portland to create a massive mural honoring this creative spirit. 

The new mural’s message “Support Working Artists” declaratively states our collective support and commitment to the artists and artisans who strive daily to bring beauty to our shared built environment. 

Art is part of the foundation of what makes a city livable. Artists, and their work, are a crucial piece of a livable city. More than illustrating a background to our lives, art engages us and ties us to places throughout the city. Artists are central to Portland’s identity and a major factor in what makes the Central Eastside, and Portland as a whole, so distinct. 

Located on the Pitman Building, between SE Clay and Market Streets off of MLK, the mural’s prominent location helps spread the message near and far, while welcoming people to the creative hub that is the Central Eastside.

Artists Never Satisfied and ERAS working over the Fourth of July weekend.

FUTURE OF A LIVABLE PORTLAND BY INVESTING IN ARTISTS

Lately there has been much conversation about re-investment in Portland with an emphasis on livability. We believe strongly that direct investment in artists and artisans is essential for the future growth and sustainability of Portland.

As the city emerges from the pandemic, there is a lot of talk about how to ‘bring back Portland.’ Artists are already doing this. They are on the street, every day, working to bring inspiration to the rest of us. PSAA wants to support these working artists as they strive to enliven the places that mean so much to all of us. 

Investing in artists and providing opportunities for them to express themselves and these experiences will help create more dialogue and compassion with different parts of our community. Investing in artists and providing opportunities for them to create, promotes dialogue and interaction with people across the city. 

Artists, makers, and creators are making a difference, investing their time into community building, and figuring out solutions. In supporting artists, we support the wider web of creative communities.

We hope this mural can act as a call to action to support artists and change makers of all kinds.

ABOUT THE ARTISTS

Artist ERAS

Artist Never Satisfied

Working in the hot July sun, artists ERAS (@404era) and Never Satisfied (@dis_satisifed) transformed this 3,000 sq. ft. wall into a statement piece that cannot be missed. Seattle artist ERAS took the lead on design; working his spray can magic to create a photo-realistic hand holding a Montana Gold spray paint can. Artist Never Satisfied, world-renowned for his luscious, drippy script, provided the perfect lettering for the message. This dream team has worked together on various projects for the past two decades all around the world and are longtime friends.

Artist ERAS working his spray can magic. 

Pacific Northwest artist ERAS was raised in Atlanta, Georgia and Toronto, Canada. Recently he has been on the road creating murals across the US, but considers Seattle his home base. With over two decades of painting experience ERAS’ skills are highly sought after. His roots in graffiti allowed him room to hone his spray skills – making ERAS an adept hyper-realistic aerosol artist. ERAS has parlayed those skills into a 20-year long career as a professional working artist that has led him to create works across the globe. ERAS is Filipino-Chinese American and is currently serving as a Cultural Ambassador for the United States, with assignments in Europe planned for the rest of 2023. 

Artist Never Satisfied creating artful drips.

Muralist and Designer Never Satisfied was raised in Atlanta, Georgia, but now operates as a global artist and avid hiker of rough terrains. For the past decade, Never Satisfied’s homebase has been Brooklyn, New York, in the heart of Bushwick’s creative arts district. His lettering skills and illustration are highly sought after by clients worldwide.

A SPACE FOR ALL TO SHARE AND THRIVE

Along with supporting artists, the new mural also aims to support the district itself by highlighting and acknowledging the Central Eastside’s long history as a hub for artists and makers. Our goal is to help preserve this special space for generations to come. The Support Working Artists mural serves both as a beacon, and a ‘thank you’ to the residents and tourists who admire their works, purchase their goods, and participate in the visual, musical, cultural, and culinary experiences that make the Central Eastside the cultural incubator it is today.

Support Working Artists mural along with two other PSAA-supported murals.

Development and progress in the city does not have to come at the expense of art and artists. Rather, artists provide an anchor that connects the past, present and future of the city. PSAA believes this role of the artist needs to be recognized and prioritized. As Portland experiences accelerated redevelopment and demographic changes, there is an increased urgency for maintaining access to spaces that welcome artists to work, grow, and thrive.

Street art has long been an important and visible part of the Central Eastside, contributing to its innovative and distinct character. Street art enriches everyday life, helps to build a city's identity, and fosters a sense of place and pride in our community.

Art brings attention to community voices, especially ones that aren’t always heard. Street artists and muralists are intimately connected to the everyday challenges we all see on the city’s streets. They are already working to improve our day-to-day experiences of city life.

Artist Never Satisfied’s masterfully crafted hand-painted lettering.

The Central Eastside Mural District is quickly becoming a world-class public art destination thanks to artists, business partners, and grant funders. Portland’s public art makes our city unique, identifiable, and different from other places. These initiatives not only get financial support into the hands of working artists, but also provide inspiration and hope to our communities.

With this mural, PSAA also aims to honor the industrial district's unique history as a maker and innovation hub and help preserve space for creative and cultural production in a quickly changing area. PSAA works to support the artists that are already central to the district and to ensure that they continue to contribute to the growth and future of the city.

A WORLD-CLASS PUBLIC ART DESTINATION

Drone Footage by Never Satisfied

The Central Eastside Industrial District has become a must-see street art location thanks to artists, non-profits, business partners, and grant funders. In 2020, PSAA was awarded a grant from the Oregon Community Foundation that helped fund the Viaduct Arts Initiative. 

This grant helped PSAA ‘seed’ the Central Eastside Mural District with eight foundational murals, including a massive 12,000 sq. ft. mural at 211 SE Yamhill St. that honors the nautical and working-class history of the Central Eastside. Since then, Portland’s new Mural District has blossomed to include dozens more murals and graffiti productions painted by PSAA, other organizations, and artist-led crews. 

To recognize and support these working artists, the Central Eastside Industrial Council will be curating a site that will provide a listing of Central Eastside murals, makers studios, art galleries, and more. Artists can apply to this directory by scanning the QR code at the base of the mural or going to the following link. Once the initial list is complete, visitors who scan the QR Code on the new Support Working Artists mural will find an online database of places in the Central Eastside where they can buy, see, or support our local working artists. Inclusion is free.

QUOTES

“There is so much conversation about re-investment in the city and the future of Portland. PSAA believes the important role of artists in this process needs to be recognized and prioritized. Supporting artists not only involves providing opportunities and elevating voices, but also paying artists livable wages. We hope this mural can act as a call to action, to support artists and change makers of all kinds.” – Tiffany Conklin, Executive Director at Portland Street Art Alliance

Artist ERAS working on the fine details. Photo by Never Satisfied.

“Travel Portland is excited to support Portland Street Art Alliance with a Visitor Experience Enhancement Grant to complete this mural that celebrates working artists in Portland. These grants are designed to fund projects that enhance the visitor experience in Portland in alignment with Travel Portland’s strategic priorities and build on the region’s unique strengths, contributing to establishing the region as a preferred destination for leisure travel, meetings and conventions. Portland Street Art Alliance has done excellent work to place Portland on the global map as a destination for arts and culture.” – Jennifer Parks, Senior Community Engagement Manager at Travel Portland 

The Central Eastside Industrial Council is proud to collaborate with Portland Street Art Alliance to create a more vibrant district through public art murals. We know the profound and positive impacts public art can have on our local creative and business economies, and we are delighted to debut and host a complimentary “support local artist” directory highlighting locations to buy, see, or support Central Eastside’s local working artists.

Longstanding and collaborative efforts between the CEIC and PSAA have resulted in robust mural development and preservation efforts – including a recent investment to restore six established murals, ensuring that these community assets can be enjoyed for years to come.” – Carolyne Holcomb, Executive Director, Central Eastside Industrial Council (CEIC)  

The artist’s medium of choice, Montana Gold spray paint.

“Putting Montana Cans into the hands of different working artists helps solidify what these cans can do, demonstrate their quality, as well as helping us increase brand awareness and exposure to new people. Not only does this help us create relationships between these artists, but it also sends a positive message to the rest of the community that Montana Cans is helping small businesses with sponsorship support.” – Devin Finley, Graffiti Channel Representative, Montana Cans

ADDITIONAL PHOTOS

PROJECT SPONSORS & PARTNERS

Photography: Event Photos by Tiffany Conklin. Studio Photos by Mario Gallucci, courtesy of ACLO.

MS. WILLIE'S DREAM

CELEBRATING “MS. WILLIE’S DREAM” and JuneteeNth

LAKE OSWEGO, OREGON

Artist Sarah Farahat speaking at the mural unveiling during Lake Oswego’s Juneteenth celebration. Photo by Tiffany Conklin.

 Unveiled to celebrate Juneteenth, Portland Street Art Alliance (PSAA) is pleased to announce the completion of the inaugural mural at Lake Oswego’s City Hall. The mural, titled “Ms. Willie’s Dream” was designed and painted by Egyptian-American Portland-based muralist, Sarah Farahat. The piece features Willie Poinsette, a longtime Lake Oswego resident, dreaming of children of all races playing in Oswego Lake. The artwork was commissioned by the Arts Council of Lake Oswego (ACLO) and is located on the busy corner of 3rd Street & A Avenue on the side of Lake Oswego’s City Hall. It is the first in a rotating series of murals that will be displayed at this prominent location..

Ms. Willie’s Dream mural-in-progress by Sarah Farahat. Image by Mario Gallucci, courtesy of ACLO.

Sarah Farahat working in her studio on the mural. Image by Mario Gallucci, courtesy of ACLO.

PSAA was thrilled when Sarah Farahat was selected for this project. Sarah’s work is rooted within her observations of the socio-political landscape. Her passionate story-telling illuminates her subjects and compels the viewer to attention. After rounds of interviews and focus groups with local community members from Lake Oswego, Sarah developed a powerful concept for the new mural.

"From the listening sessions, I worked on two designs. The final direction chosen by the ACLO Committee depicted a Lake Oswego community member, Miss Willie Poinsette, who attended one of the listening sessions. I was interested in her story, so I reached out to her after the focus group to continue conversations. I was inspired by her kindness and generous commitment to the city, despite historic and present day racism in the area. I chose to depict Miss Willie because of her determination to support the creation of safer, more equitable spaces for all people.” – Sarah Farahat

The mural was unveiled on Sunday June 18th, as part of the City of Lake Oswego’s Juneteenth celebration. Despite the rainy summer day, a large crowd was in attendance for the Juneteenth celebration and mural unveiling event. Guest speakers included muralist Sarah Farahat, Willie Poinsette, and Nicole Nathan Executive Director of ACLO. The celebration also included dance from ​​the West African Dance troupe Sebé Kan. The event was hosted by the City of Lake Oswego, the Arts Council of Lake Oswego, and Respond to Racism. Respond to Racism is a local organization formed in 2017 to educate and empower residents and institutions with the tools to combat racism in all its forms and make Lake Oswego  and Oregon a better place to live for residents of all races and ethnicities.

Top Photo: Willie Poinsette and Sarah Farahat in front of the new mural at City Hall. Image by Bruce Poinsette, courtesy of Sarah Farahat. Left: Willie Poinsette speaking at the mural unveiling event.  Right: Dancer from the dance troupe, Sebé Kan.

Mural unveiling event crowd listening to guest speakers. Image by Tiffany Conklin.

“I hope that people felt a sense of joy and fun and celebration. I hope they feel inspired to create more inclusive spaces in Lake Oswego, where all children feel safe and accepted, happy and welcome.” - Sarah Farahat

Left to Right: Lake Oswego City Councilor Massene Mboup, Nicole Nathan (ACLO), Willie Poinsette (Respond to Racism), artist Sarah Farahat. Image by Tiffany Conklin.

ADDTIONAL PHOTOS

Photography: Event Photos by Tiffany Conklin. Studio Photos by Mario Gallucci, courtesy of ACLO.

LET'S HOPSCOTCH

Portland Mural Masters Shine at Hopscotch’s Immersive Exhibit

PORTLAND, OREGON

PSAA is thrilled to announce our participation in the “Walls Within” Mural Room at Portland’s new immersive art gallery, Hopscotch. Over the past two months, Portland-based artists David Rice, Francisco Morales, The Earwig, and Winston the Whale have been hard at work completing their inaugural murals at Hopscotch. From painterly to graphic, graffiti style to illustrative, each massive mural perfectly encapsulates the artist's style, allowing visitors a little slice of Portland street art in every visit.

David Rice’s mural, titled “New Topography” took his portrait style to new heights on a massive wall. In his smaller canvas work, David is known for his use of light that seems to magically illuminate and shadow every crevice of his paintings. He aspires to create works that exist beyond our physical world; his paintings often evoking a dream-like sensation.

“This piece is an exploration of identity through nature and man made elements. Exploring the diverse topography of what makes an individual unique, and how that makeup is always changing.” – David Rice 

ABOUT DAVID RICE

 

The goal of David’s work is to create environments that exist beyond the parameters of our physical world. He often focuses on the themes of identity, as we see ourselves and as we are perceived by others. His work creates a new sense of nostalgia for the viewer. Something that seems familiar, but has yet to happen. The subjects blur the line between masculine and feminine, natural and man-made, the past and the future. His aim is to create new relationships between the subjects and viewer.

 

Francisco’s work as a Chicano artist is informed by the struggles and triumphs of their community. Francisco’s current works are an exploration of Chicano identity and the use of language as a tool of exploitation, specifically the language found in marketing and advertising geared towards the latin consumer. His work also celebrates the richness and diversity of Chicano culture, by breaking stereotypes and exploring new possibilities for the community. 

“These policies and interventions have been major catalysts for people’s decisions to move North in hopes of finding better opportunities in the US. These migrations have created new generations of latines with one foot in two worlds. One being their collective heritage and history as well as their new identity as transplants to a new land and way of life. These migrations have also been met with discrimination and marginalization, as citizens of the US push back against the increase of peoples from south of the border. The discrimination received is oftentimes propagated by predatory language, imagery and products that are used to market to Latin Americans and Chicanos.” – Francisco Morales.

ABOUT FRANCISCO MORALES 

 

Francisco Morales is a Chicano illustrator, designer and muralist. Whether through murals, installation, or design, Francisco wants to inspire, provoke, and ultimately transform the way we think about ourselves and our place in the World. His work seeks to subvert the dominant language of power and privilege, reclaiming it for Chicano expression, challenge the oppressive language of colonialism and white supremacy, opening up new spaces for dialogue and understanding. In the end, Francisco believes that the Chicano experience is one of hope and possibility. By embracing our past, and boldly charting a course for the future, we can create a world that is more inclusive and more beautiful than ever before.

 

The Earwig is a legend in the graffiti scene near and far. Their work is always fresh, with sharp crisp wildstyle letters that come from decades of practice and experience. The Earwig’s characters dominate walls in Portland and beyond. The Earwig feels most passionate about being connected to their environment, particularly being immersed in the chaos of city circumstances. They are very passionate about staying true to the root of whatever they do. Over the years, they have worked with numerous galleries, high profile celebrities, but the most important thing to them is staying connected to the local community via their art.

“The Oracle is your intuition that is a channel to your higher being. Know Thyself.” – The Earwig

ABOUT THE EARWIG

 

The Earwig is an illustrator, graffiti writer and muralist based in Portland, OR. Their preferred medium is aerosol, but they also work in acrylic, pen and ink, and digital. They specialize in unconventional style writing, glyphic modernism, and conceptual character design. Much of their inspiration comes from classic graffiti wildstyle and abstract three dimensional graffiti. The Earwig also draws inspiration from 1950’s-1980’s science fiction films and artworks.

 

On any given day in Portland you may run into Winston the Whale’s work. His iconic whale sticker can be seen all across the city and globe. Winston is known worldwide for his colorful and very sought after tattoos that incorporate crisp, clean lines, trippy visuals, and super colorful graphics. 

He has expertly transferred this unique style onto the wall for his Hopscotch mural. With this piece, Winston the Whale’s intention was to represent the flow and interconnectivity between humans, nature and technology. Winston sees many parallels between the intelligence of nature, the human mind and computers/technology. They used shapes, movement and elements to pull those parallels together in one piece.

ABOUT WINSTON THE WHALE

 

Winston the Whale is a bonafide color fiend, bringing bold shapes and playful compositions to life with every color under the rainbow. Translating experiences and perspective to form, his work often nods at the joy and absurdity of life and the silly world we live in. Based in Portland, OR he spends much of his free time in the nearby forests and mountains connecting with “the wiggly ways of mama nature and the bounties she brings.”

 

ADDTIONAL PHOTOS

Photos: Sara Sjol

STEP UP

STEP UP AT FOURTH PLAIN COMMONS

Vancouver, Washington

Portland Street Art Alliance is pleased to announce a massive mural wrapping around Vancouver Housing Authority’s new Fourth Plain Commons, an affordable housing and multi-use development in the Fourth Plain International District of Vancouver Washington. Designed Christian Tellez, the mural tells the story of the surrounding community. Christian was assisted on this project by another prominent local muralist, Alex Chiu.

Lead artist Christian Tellez

Assisting artist Alex Chiu

The multi-sectioned mural titled “Step Up” was designed to honor diversity and community coexistence. The balance between defined shapes and graphic elements visually interprets the inner life of a living building – a space geared towards community interaction and pride. The silhouettes in the mural span multiple generations and are representative of the various cultures that make up daily life in Fourth Plain. The varied design elements leave room to imagine a different story upon each viewing. One can almost hear conversations in the hallways, the music escaping from doors from time to time, childrens’ laughter at the playgrounds, and feel the overall rhythm of the bustling city streets below.

The stairs are a very important design element. They act as a daily reminder to elevate oneself, so that the next generations may go even higher - opening new opportunities for the future and the future of their community. The stairs behind the figures are also significant. Showing all the steps behind the figures is a powerful reference to all the challenges they have overcome to get to where they are, and the trajectory of moving forward to the next steps in one’s journey.

The goal of this mural design is to introduce the building to the neighborhood as a living structure design to benefit a larger community. Fourth Plain Commons embraces open interaction with the district, offering nearby services and creating a sense of community.

The design tells multiple stories on one canvas, allowing people to identify themselves in any of the shapes and create new stories. The color palette represents the joy and vibrant life of the different community cultures, individuality recognition, and identity freedom. Always remembering that other shapes, sizes, and colors work well together when they coexist and do not compete.

When Christian realized this project would take place in an international district, he thought of an effervescent place, with lots of movement, diverse languages, and multiple cultures.

“Knowing that I have the chance to create a new mural along with the numerous art and inspiring landmarks around Fourth Plain, is a thrilling task. Today, more than ever, I believe human connection is something we should fight for. We are now more aware of how much the spaces around us impact our physical and emotional well-being. Beyond the physical and utilitarian aspects of painting a building, a mural makes it memorable, a part of our life, our energies, and helps build the character of our communities. Murals have a lasting impact on the viewer and people using the building.” – Christian Tellez

Fourth Plain Commons is a vital community hub for the community, not only providing access to services, but also providing a third space for the community to grow, collaborate and share. The mural is a central feature of the commons and has been a truly collaborative process between the community and artists. Fourth Plain Forward’s Community Development Manager, Sheila Davis, worked alongside the artists throughout the process.

“We believe the Commons will be a catalyst in the community towards a future filled with joy and commitment to deepening relationships. Our hope with the artwork is to reflect this intention. Each artist has brought their unique perspective on this vision and we’re excited to see the artwork bring the Commons to life!” – Vancouver Housing Authority

“Christian created a colorful and vibrant mural that is reflective of the Fourth Plain community. I am impressed at the level of engagement that was done to make sure the diversity of the community came through in the artwork.” – City of Vancouver

“It has been an absolute pleasure for me to see the collaborative process in which Christian involved our community and established a shared vision, creating vibrant artwork that celebrates our culture, history, and community. We are grateful to the Portland Street Artist Alliance and the City of Vancouver for the opportunity to partner in this process and look forward to seeing the final art piece that will become an essential part of the fourth plain landscape.” - Fourth Plain Forward

Photography: Sara Sjol for PSAA

VOICES OF EAST PORTLAND

MURAL Celebrating Women Leaders OF EAST PORTLAND

PORTLAND, OREGON

March 27, 2023 (Portland, OR) – Completed just in time to celebrate Women’s History Month, Portland Street Art Alliance is pleased to announce the completion of a monumental new mural in Southeast Portland’s Midway District.  The mural, titled “Leaders of East Portland,” was painted by local muralist and Midway resident, Alex Chiu. It features four prominent leaders of the Midway community and was commissioned by the Midway Business Association, with grant assistance from Venture Portland. The mural is located at SE 122nd and Powell in the Midway Neighborhood.

Along with being a talented muralist, Alex specializes in collaborating with communities to create public art that tells a larger story. Since Alex lives in the district, he had an even deeper understanding of the people and place - giving him a unique perspective. Alex worked closely with the Midway Business Association to identify which district leaders to honor. Alex implemented a public survey to gather nominations for prominent female community leaders in the neighborhood. In the end, four women were selected to be depicted in the mural. 

ABOUT THE FEATURED WOMEN 

Lisha Shrestha, a native of Nepal is the current Executive Director of the Division Midway Alliance. Lisha previously worked at IRCO, the City of Portland’s New Portlander Program, and Elders in Action and was the recipient of the Portland State University’s President’s Diversity Award in 2015 and Community Leader of the Year Spirit of Portland Award in 2017. Lisha is also pursuing her doctoral degree at PSU. Her position at Division Midway Alliance allows Lisha to advocate for and bring resources to the immigrant and refugee populations in the area.

Halimo Alinur is one of 9 children raised by a single mother, who immigrated to Portland from Somalia. Halimo was born and raised in Ethiopia, but ultimately moved to the U.S. from Somalia.  She moved to Portland at age 11. As a student, Halimo participated in programs organized by the African Youth Community Organization (AYCO). Halimo was later hired as AYCO’s Community Engagement Lead, and is working with newly immigrated families and youth in East Portland.

Olena Borova immigrated to Oregon in 2018 from Ukraine. She began to work at Mercy Corps, as the Education & Outreach Program Officer for the Community Investment Trust (CIT) and is now a CIT Implementation Manager. Olena is dedicated to serving underrepresented communities and advocating for equality and financial inclusion. Before joining CIT, Olena worked as the Executive Director for ArtLinks, a non-profit in Eugene, OR that supports cultural diversity through art, culture, and education.  

Diana Nuno-Perez is a mother of five who has lived in East Portland for over 20 years. She is a local store owner and designer at SaVistication Customs & Apparel at 2803 SE 122nd Ave. Diana is deeply involved in the Chicano and Native art community in Portland. Diana designs custom apparel, promotes and organizes hip-hop events, and is involved in the lowrider car scene.

“It is an honor for me to paint a mural in this particular location. I have lived in Outer East Portland for about 8 years now. I am currently living in the Mill Park Neighborhood and live about a half mile from the mural itself.  There is not a lot of public artwork or murals in the area, so I was excited to take this opportunity.” – Alex Chiu

ABOUT THE MIDWAY DISTRICT

The Midway district covers 12 square miles of neighborhoods and includes more than 500 businesses and is one of the largest districts in Portland. The district was named for its location “mid-way” between many of the region’s amenities, including downtown Portland, the Columbia River Gorge and Mt. Hood - which can be seen in the background of the new mural.

‘“MBA is extremely grateful for the generous grant we received from Venture Portland to hire local artist Alex Chiu who worked with the community to create this inspiring mural. It celebrates several of East Portland's influential women as it beautifully brightens up this busy intersection with a sense of calmness and connection.”   – Midway Business Association Board

Hello, World!

Alex Chiu & the Leaders of East Portland VIDEO

This video was commissioned by Thrive East PDX and made possible with funding help from Seeding Justice. See more at thriveeastpdx.org WATCH HERE

ADDTIONAL PHOTOS

Photos: Sara Sjol, Tiffany Conklin, Alex Chiu

MLIK, MEMORIES, AND MURALS

The End of an Era at Sunshine Dairy 1935 TO 2023

PORTLAND, OREGON

“Life is Full of Distractions, Pay Attention to What’s Really Important” - HAND OF DOGG 

So much gratitude to all the artists and friends who came together in 2019 to make this massive mural project happen. It was one of the best spaces PSAA has had the honor of painting to-date. Thank you for all making it so special.

Photo: Kyle Overman, February 2023

On the walls of this old dairy, we helped to write the final chapter of a piece of Portland history. While it always pains us to lose public art and historic sites like this, we are reminded in times like these that by its nature, all street art and graffiti is ephemeral, as are we and the things we build. Pay attention to what is important. Embrace your people and frequent those places around you that you love. Together, we turn spaces into places.  

Photo:Caleb Ruecker @portlandhistory, February 2023

Sunshine Dairy started operation in 1935. It was a Portland mainstay until 2018 when the company declared bankruptcy. Given the structural foundation issues, the owner decided to redevelop the site. The building has unique industrial zoning, which allows for both residential and mixed-use development at the site. Realizing that the dairy would be sitting vacant for awhile, the property owners decided to activate this space with street art until its demise. With the help of donations, PSAA was able to arrange for several teams of artists to completely cover the building with bold artwork.

Spaces like Sunshine Dairy are important pieces of our public art landscape, as they provide easily accessible space for artists to explore new techniques and build their portfolios.

This site was part of PSAA’s unique Community Art Program. These special projects are much more organic and don’t have any planned sketches. Some have loose themes, but many do not. Each team of artists chooses a general color scheme, and their own schedules. Artists are provided very open creative freedom, which provides spaces for innovation and experimentation.

Over 30 artists were on display on walls of this iconic Portland dairy. Due to the pandemic, the Sunshine Dairy Community Project remained up for over 4 years, longer than anyone expected. Sunshine Dairy was PSAA’s first major Community Art Project of its scale. Since 2018, PSAA has curated three other large Community Art Projects, including the Salvation Army Building and the Salt and Straw Kitchen in the Central Eastside and the Mt. Whitney Blocks at SE 11th & Ash.

ARTWORK AT SUNSHINE DAIRY

Photos: Paul Landeros, Tiffany Conklin, Sara Sjol, Invoice, Tim Trautmann, Jeremy Nichols

 

SUNSHINE DAIRY ARTISTS:

GIVER, EKOSE, VIDEO, FIBER, ABNR, KANGO, LAWSON ARTS, NOTES, ADJUST, NIMBY, ZAE, RABK, UGH, CEEKAY, PESTOE, CKOS, BOSE, HENRY, BLINK, DEVIN FINLEY, GATS, DETR, YATSE, YUCKO, COPS, GIMER, ENVY, FNGER, AT ME, KENRO, GRISLE, QUINN, JOINS, RASKO, JEREMY NICHOLS, PTV CREW 

HISTORY OF SUNSHINE DAIRY

Written By Josie Allison, Photos Scanned by Anton Legoo

In the 1930s, John Karamanos, a Greek restauranteur, wanted to start a dairy delivery service for his friends and founded Sunshine Dairy products. At the time, Portland was home to 50 independent dairy processors.

For the next 83 years, Sunshine stayed committed to serving local food service industry, local manufacturers, and local retailers and co-packers with their personalized delivery and steadfast dedication to high quality, naturally-produced products. By 2018, Sunshine Dairy was a fourth generation, family-owned operation.

The company gained organic certification and was consistently committed to producing the highest quality dairy products through specialized processes that produced superior, fresh taste. Every load of milk was screened for antibiotics and surpassed the federal standards of quality and safety. Sunshine was devoted to the philosophy that natural is better.

Since the development of the bovine growth hormone rBST in 1994, the company sourced from farmers who signed an affidavit not to inject their cows with the artificial stimulant and sought to support farms with sustainable farming practices. In return for their promise, Sunshine paid the farmers a premium to compensate for the economic benefits that using the artificial hormone would have brought. In order to keep their prices low, the company was willing to accept smaller profits from each gallon of milk. In 2001, Sunshine officially became the first dairy in the region to buy exclusively rBST-free milk. The company reaped the rewards from their dedication to natural products as organic milk sales began to rise after growth hormones were increasingly introduced into mainstream dairy.

One of Sunshine’s largest vendors was the Farmers Cooperative Creamery (FCC), whose members are nearly all small to mid-sized, family farmers from the Willamette Valley in Oregon, and Chehalis and the Yakima Valley in Washington

The shifting climate of the dairy industry and the consolidation of dairies throughout the U.S. pushed Sunshine Dairy into bankruptcy. Sunshine signed an agreement with Alpenrose Dairy, another company founded in Portland.

Read More about Sunshine Dairy History

ELECTRIC CANVAS

The Inaugural Volta Garage Murals

CENTRAL EASTSIDE, PORTLAND

PSAA is excited to announce a new project at the Electric Blocks! The Volta Garage contains 10 walls that will rotate art periodically, similar to those at Taylor Electric. These 10 new spots allow emerging and veteran artists a canvas to create new works.

L to R: Fairywulf, Empwo and Oliver Castillas

For the inaugural set of murals, PSAA invited artists from a variety of styles and experience levels. Working together in a space like this offers artists to network and help each other out with logistics and supplies. Several of these murals also included artist mentorship programs, where the muralists have mentees assisting them, learning the process of mural making.

First time murals Fairywulf with a little help from her friends. Photo by Philip Woodrigde.

Thank you to all the artists that helped kick off this new space. We also thank the property owner Killian Pacific for supporting spaces for art across all of their sites. We are stoked to have another location where local artists can practice and showcase their craft!

L to R: Brett Bowers, Kyra Watkins, Monk

Inaugural Artists: Notsik, Caleb Jay and Hazer, Kango, Giver, Monk, Kyra Watkins, Brett Bowers, Oliver Castillas, Empwo, and Fairywulf.

REMEMBRANCE IN PAINT

JASON BROWN MEMORIAL WALL

PORTLAND, OREGON

Portland Street Art Alliance partnered with artist Jaymeer to help him implement his vision to organize the painting of a new memorial wall, honoring J. Brown and his advocacy work that helped push the City of Portland to loosen its restrictive mural laws.

New mural titled “J Brown Remembrance In Paint,” located on the back of All Service Moving (66 SE Morrison) in the Central Eastside, blocks away from where New American Casuals was located in the early 2000s.

Portland-based muralist and Burnside Skatepark (non-profit board member & art director) community manager, Jaymeer, organized a team of aerosol artists from all over the West Coast to paint a massive mural production honoring the late Jason “J.” Brown (1970-2011), former owner of New American Casuals (NAC), a pioneering Portland streetwear shop located in the Central Eastside in the early 2000s. This new mural is fittingly located just blocks away from NAC’s original location at 326 SE Morrison St. 

“J Brown Remembrance In Paint” was painted in a classic graffiti style by internationally respected and recognized graffiti artists. This all-star lineup included Jaymeer, Leon, Mez, Clown, Fresh, Nick Sawyers, Kadie, Nekroe, Flash, Hagr, Hand of Dogg, Saroe, Mewz, and many more.

The production features quotes from J. Brown, and related imagery from the original mural on NAC that sparked a fiery debate about freedom of expression in Portland and the City’s sign and mural codes. If you look very closely along the bottom, taken together, the various wildstyle pieces spell out “Portland” in an abstract style.

To appreciate the messaging and symbology behind the mural, one needs to understand Portland’s unique and complicated history of laws regulating freedom of expression and art in public space. Prior to 1991, artists could paint outdoor murals in Portland with a simple agreement between themselves and the building owner, as is the case in many other cities across the US.

In 1998, the City of Portland was thrust into a lengthy and complicated legal battle with AK Media (a company that was later absorbed by Clear Channel). Sadly, many historic and community murals were lost during this time, commonly known as Portland’s “mural moratorium.” Some murals like the “Art Fills the Void” banana mural on Division (1982) and the “Malcolm X Black Pride” mural off Alberta (1984) were thankfully spared and saved.  

A handful of art advocates rose up and pushed for the art of mural-making to be recognized and respected by the City of Portland.  

Late muralist Joe Cotter, was perhaps the best known champion of murals in the Portland area, with his activism group Portland Mural Defense. Cotter wasn't an attorney, but he learned about the legal process and used that knowledge to work with a tireless group of mural advocates who fought for greater expression of murals in Portland. Along with fellow Portland Mural Defense advocates Mark Meltzer and Joanne Oleksiak, Cotter worked for many years to make the city sign code less restrictive toward murals. Read more about Portland Mural Defense here and here.

In the early 2000’s New American Casuals was not only a clothing store, but a gathering place that celebrated all thing street.

A lesser known, but equally important hero of Portland mural history was Jason “J.” Brown, owner of New American Casuals. NAC was a streetwear clothing shop / boutique & carried art supplies & had gallery art displayed. NAC was more than a clothing shop or store he hosted gallery shows for artists around the country & world, it was a creative hub for Portland’s aerosol artists – a place where they could gather, sketch in their black books, network, and provide mentorship for kids interested in graffiti-style artwork.

Original New American Casuals Mural

Original New American Casuals Mural

In 2003, Brown allowed graffiti artists to paint a mural on the east wall of NAC. The mural featured a mix of graffiti-style writing and a large figure posing with a can of Belton spray paint. A similar character also is now featured again in the new mural at All Service Moving, the painting includes some of the original artists, like Jaymeer almost 20 years later. 

Brown was aiming to show off local artists’ talent and beautify the “drab belly” and “poop-splattered underside of the Morrison Bridge” where NAC was located. Brown said, “we’ve had more honks and cheers from people going by than people stopping to gripe about it.” Brown’s vision was to host a Legal Wall, an ongoing graffiti project that would rotate twice a month, “ranging in everything from graffiti art to stenciling to fine arts” Brown said. 

City of Portland's 2003 Graffiti Abatement Notice and Jason Brown's Letter of Appeal to the City. 

The NAC mural was painted without a City permit, however, making it technically “illegal graffiti” under the city's sign code. Brown received a graffiti abatement notice and was ordered to paint over it within 10 days or face fines. 

Brown appealed, but before the removal deadline approached, the City’s graffiti removal crew painted over the mural, the following day an in progress mural was removed from the opposite side of the building.

After the murals removal Brown and a group of artists began painting other murals, on both sides of the NAC building in protest of the City’s actions. The murals displayed a political message from Mahatma Gandhi; "Civil disobedience becomes a sacred duty when the state becomes lawless and corrupt." 

The Oregonian newspaper reported that Art Hendricks, the manager of the City’s Crime Prevention Program in 2003 (later called Graffiti Abatement / Graffiti Program), said the murals were “considered graffiti, subject to removal if not approved under city sign codes.” 

The City also issued Brown a citation for failing to obtain a permit. Brown did not have a permit for the mural and said he didn't know he needed one. The City said it was responding to complaints from local businesses it had received about the NAC mural. 

Brown consulted with an attorney and sent an appeal letter to the City. He and the artists involved hosted fundraisers and rallied supporters, like Jaymeer, to speak out and come out in defense of legal aerosol art and overly restrictive laws. 

“After spending over 2 weeks painting and on scaffolding, I felt my artistic freedom of expression and speech had been suppressed. I had permission from the property and business owners. An appeal to the City was sent in. Our artwork was destroyed without even a reply from the City.” - Jaymeer

"I would have followed the rules, had they been laid down to me and been respected by the people laying them down,” said Brown. It would have cost $1,600 to register the 250-square-foot mural. A substantial cost in 2003, and even so now. At that time, Brown and the artists would have also had to navigate a complicated land use review process and gained approval  from the neighborhood association  regarding the mural’s style and content. 

Brown and other advocates were eager to see the City “loosen the code and allow a greater proliferation of public art that reflects and affirms community and local character,” explained Marjorie Skinner, a local reporter who covered this controversy over the years. 

The situation that flared up under the Morrison Bridge at NAC was one of the sparks that ignited a fiery debate over government regulation and freedom of artistic expression, pushing groups like Portland Mural Defense to rise up in support of murals.

Press from The Portland Mercury circa 2003

"These are not illegal graffiti bombers, these are artists," Brown said back in 2003. He wanted to give the artists an outlet and help them get recognition for their work. Brown’s vision was to transform the underside viaduct of the Morrison Bridge in the Central Eastside. Twenty years later that process has finally begun with murals throughout the industrial district, now coined by local artists as the Central Eastside Mural District.

After many years of legal battles, artist protests, and whitewashed permission murals, in 2005 the Regional Arts & Culture Council (RACC) began its Public Art Mural Program. Following the closing of the Clear Channel trial in 2009, the City of Portland’s new mural program was created. 

The Future of Street Art in Portland

Until those two pathways (which we still have today) were forged, community murals were either not painted, or were done without City permission, risking citations and fines for building owners for being out of compliance with the City’s sign code.

The bureaucratic process and costs of obtaining permission to paint in Portland continues to be a sticking point and is a cause of much confusion for local and visiting artists. 

“Thankfully, thanks to the hard work of artists and advocates throughout the years, the City currently charges $56 for a BDS-issued Original Art Mural Permit. It takes 21 days to secure, and requires certified letter notifications to the neighborhood associations/coalitions, and a public posting notice on the wall. With this permit route, we don’t need to get mural designs approved by anyone other than the property owner. The BDS has no say in what content we paint, who the artist is, or what paint mediums we use.” explains PSAA director Tiffany Conklin who was at the table during the City’s last mural code revision process in 2018. 

“Even though the permit system is better, it still doesn't allow for rotations and murals need to be planned well ahead of time. Not all public art has to be static and planned. At PSAA we advocate for a legal route that allows for more organic free expression and less barriers for young and emerging local artists and those who are visiting the city.” 

“Recent progress has been made in getting the City to consider allowing for a Free Wall / Legal Wall, though the process is still in its early stages and there’s a lot of huddles to get over.” explains Conklin. Thanks to a PSU research study on the topic, in 2019 Portland City Council said they would consider a pilot Legal Wall program, if an appropriate site was secured. 

IN MEMORIAM

Artist gathered to paint for and remember Jason Brown

Sadly, Brown never got to see what the Central Eastside has transformed into today. He was killed in a tragic accident, a house fire in 2011. But thanks to Jaymeer and the local street art community, his image and memory will live on in the heart of the Central Eastside Mural District.

“Jason Brown was a good friend to many Portlanders. I think Jason would be proud to see so much art in the Industrial Central Eastside, close to where his business was located and where his heart was. Twenty years later, I still am advocating and waiting for the day that Portland has a City-sponsored and supported Legal Free Wall for art, perhaps in a park or next to a skatepark. We need accessible walls that diverse people from all walks of life can use to express themselves.”
- Jaymeer 

ABOUT JAY MEER

Jay’s Wildstyle on the J. Brown Memorial Wall.

Artist Jaymeer has been managing the mural work at Burnside Skatepark since 1993. An early volunteer at Burnside Skatepark, he helped with construction, building, and maintaining the now world-famous skatepark. With roots in the Midwest, Jaymeer travels nationwide creating commissioned art and donating murals to skateparks. Jaymeer has been a prominent member of the local Portland skateboarding, art, and activist community since 1994. He started drawing at an early age. In 1988, under his mentor, Leon Henry, Jay started to paint with aerosol & airbrush. He now has murals all over the country. He also helped work to build, fundraise & paint for Marginal Way D.I.Y. Skatepark in Seattle, WA est. 2004.

ABOUT PSAA

PSAA started The Central Eastside Mural District this mural initiative in 2018, applying for grants, gathering letters of support, and networking with Central Eastside property owners and businesses. We wanted to carry on the torch of J. Brown, Joe Cotter and other art advocates who have fought for public art in Portland.The goal of the initiative is to promote more inclusive engagement and access to public art-making in the city for those who want to paint legally,”  explained PSAA Board President Tomás Valladares.

Read more about PSAA’s Central Eastside Mural District Initiative. Jason Brown famously said “There are amphitheaters for murals, there’s basketball courts for kids that are into sports, but where are the walls?”

Since our founding, PSAA has helped create over 300 street art installations, collaborating with hundreds of artists in the region and facilitating commissions resulting in over $950,000 paid to working artists. Street art is inherently democratic; providing access to artistic expression for the entire community, not just a privileged few who have access to museums, galleries, and private art collections. In everything we do, from murals to virtual learning sessions for students, PSAA aims to create strong visual, cultural, and economic impacts through public art.

PSAA Partners

Ground Score Association, a peer-led initiative of the non-profit Trash for Peace assisted with wall preparation for this mural project. This special work program helps folks with housing insecurities gain access to paid work and job training opportunities

Project Sponsors: Metro, Metro Paint, Miller Paint, All Service Moving

Photography: Jay Meer, Sara Sjol, Tiffany Conklin

TOGETHER WE BLOOM

Juntos Florecemos: A Celebration of Cully’s Spirit

NORTHEAST PORTLAND, OREGON

Portland has a bold new community-inspired mural in its public art collection, painted by Michelle Ángela Ortiz at Hacienda CDC’s Las Adelitas project. Las Adelitas a 142-unit affordable housing community nearing completion in the Cully neighborhood at 6723 NE Killingsworth Street.

“Together We Bloom / Juntos Florecemos”

This project was spurred by community grassroots efforts and will provide much needed affordable housing to the Cully neighborhood. During the building’s design process, local community members expressed interest in a public mural and art installation. In response, Hacienda CDC incorporated a large-scale mural above the main entrance. They then teamed up with PSAA to commission the work. The goal of the project is to celebrate the neighborhood’s culture, diversity, and strength.  

The final design, by Michelle Ángela Ortiz, is a beautiful expression of the Cully community. As part of her process Ortiz connected with several Cully residents to draw inspiration for the mural’s design. Together We Bloom (Juntos Florecemos) was directly inspired by the stories of community members from the interviews Ortiz conducted.

The images of light and growth emerge from their stories. The quote “We belong to you and you to us, together we bloom” is an excerpt of a poem created by local community member, Lizet. Her elegant words encompass the overall essence of the mural. 

Photo courtesy Michelle Ángela Ortiz

Michelle Ángela Ortiz is a visual artist based in Philadelphia, PA. Ortiz has completed over 50 large-scale public works nationally and internationally. She is known for using her art as a vehicle to represent people and communities whose histories are often lost or co-opted. Michelle was assisted by artist OIiver Casillas of Portland and Guadalajara, Mexico.

“I am a child of immigrants, a woman of color, a mother, a product of two people that experienced extreme poverty that led them to immigrate to this country. It is within this context, that I see my work as an artist as cultural currency that I use to invest back into the communities I am connected to and to reflect what we contribute to our society. I am pleased to be in Portland to honor the people of the Cully neighborhood through this mural.”

– Michelle Ángela Ortiz, Muralist

“We are honored to have Michelle Ángela Ortiz commissioned to paint this piece at Las Adelitas. This mural paints a true picture of our community. It captures who we are, where we have come from, and our vision of where we want to go. Youth and children will look at this mural and see themselves, their families, and images that represent their culture and surroundings. Community members from Cully, where all of Hacienda’s work began, will see themselves in this mural as they walk into our community event space or pass by Las Adelitas. The impact of this mural will reverberate throughout our community for years to come.”

– Ernesto Fonseca, Hacienda CDC CEO,

MAKING A MURAL

Juntos Florecemos, a project video by artist Michelle Ángela Ortiz . Click on image for link.

BEHIND THE SCENES

LAS ADELITAS IN THE PRESS

A story on Together We Bloom on OPB Radio. Click on image to view.

A story on Together We Bloom on Univision Portland. Click on image to view.

Photography: Sara Sjol, Tiffany Conklin, Tomas Valladares for PSAA.

Pollination Paradise

METRO GARAGE MURAL

PORTLAND, OREGON

As pedestrians and cyclists cross the newly opened Blumenauer Bridge, they will be treated to a striking tableau.

Renowned Portland muralist Jeremy Nichols has transformed Metro’s parking garage with a mural featuring various modes of transit, interspersed with local flowers and pollinators a plenty. The mural wraps around two sides of the building and is dotted with wildflowers that pop between bikes and scooters as butterflies and bees flutter throughout. This mural project was sponsored by the Lloyd Community Association.

Local flora depicted in the mural include: Trillium Flowers, Doug Fir, Blanket Flowers, Camas Flowers, Oregon grape Flowers, western blue flax, dandelions. These beautiful plants are paired with local fauna including: Monarch Butterfly, Oregon SilverSpot Butterfly, Bumble Bees, Honey Bees, and a Rufous Hummingbird. All of which are representative of the Pollination Corridor that surrounds the mural.

Along with nature inspired elements, Nichols also included his signature bold graphic lines and elements which bind his compositions together. One of graphic elements in this work, a stylized bow-tie, is a subtle nod to Congressman Earl Blumenauer, who can always be seen wearing his trademark bicycle lapel pin and a bow-tie. Other elements include a TriMet MAX line map, Railroad I-Beam Tracks, and a silhouette of both a bicycle and an adaptive bicycle.

“It’s fitting that the Metro Regional Center can be a canvas for a mural that resonates with our goals and values of conserving natural areas and planning for the region's long-term transportation needs! With this new mural, we look forward to inviting our communities across the Blumenauer Bridge, into the Lloyd District and their Metro Regional Center.”

– Ryan Kinsella (he/him), Metro’s Capital Asset Management Director

“Lloyd Community Association is excited there is a new beautiful mural welcoming people as they enter our neighborhood! This project is just one of many that local businesses, residents, and groups are working on to improve Lloyd. We invite community members to attend our October Coffee Chat and Mural Opening Celebration on Thursday, October 6th from 8:00 to 10:00 at the mural site. Swing by to start your day with free coffee, meet your neighbors and Lloyd Community Association members, and learn about the details of Lloyd's newest public art from the muralist.”

– Keith Jones (he/him), Lloyd Community Association’s President

“I wanted to create a timeless, hip, energetic mural that grabs the public attention, creates a conversation, and ultimately creates a public landmark/ point of interest. Given the location of the mural, the primary focus of these designs is movement, alternative means of transit, pollinators, and a subtle nod to Earl Blumenauer.”

 – Jeremy Nichols, Muralist 

BEHIND THE SCENES

IN THE NEWS

Click here to read about the Lloyd Center mural on Bike Portland.

 

Photography: Sara Sjol, for PSAA.